As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Heading toward the Mexican border, a getaway driver disguised as a clown and his wounded accomplice try to escape the American Police with a loot of over $2 million hidden in the trunk of the car. In a desperate attempt to break through the thick border fence, the driver crashes the car, the accomplice dies and he inevitably gets apprehended by Mexican Police officers Romero and Vasquez who want the money just for themselves. As the only American inmate in the infamous "El Pueblito" Mexican prison, which resembles more of a small village of convicts rather than a usual prison, the driver quickly gets the nickname "The Gringo" and finds out first hand how rough it is to be a stranger in the perilous world of Javi, the ruthless crime lord who runs the prison. Sooner or later, the Gringo will form an alliance with a 10-year-old kid whose peculiar immunity in this mad place will efficiently keep him alive, only to realise that in this pit, everyone knows about the $2 million. In the end, ... Written by
Payback (1999) is also a movie where the character, Porter, played by Gibson has only a one word name. In this movie, Gibson appears in the credits as Driver, and many, such as Harry Knowles of "Ain't it Cool News", have speculated that this movie may be the unauthorized sequel to Payback (1999). See more »
When Mel Gibson's character is driving the VW into the Port Mart parking lot driver's side shot reveals driver is wearing glasses yet Mel never wore any. See more »
I need a doctor!
I'll get you a vet, you son of a bitch! You should'a shot him first!
We've got two clowns heading south on Wall 51, four miles from the border.
And stop bleeding on my money!
All units be advised, suspects are armed and dangerous.
[Clown vomiting blood]
What the fuck?
Well, hello boys and girls. there's nothing worse than a sad clown. Unless it's a clown bleeding internally and coughing it all over your money.
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The Mel Gibson vehicle we've all been waiting for!
With Mel Gibson doing himself no favors in the public media over the last six years, GET THE GRINGO is a much-needed reminder of why we loved him so much for the twenty years prior to his scandalous headlines. While it was greatly refreshing to see Gibson on screen again in EDGE OF DARKNESS and THE BEAVER after an overbearing eight year absence, GET THE GRINGO does the best of capturing everything we truly loved about Gibson's performances: charm, wit, humor, edge. The script by Gibson, director Adrian Grunberg and producer Stacey Persky is an original and tight balance of humor, edge, and danger that can very easily be considered an unofficial sequel to the theatrical cut of Gibson's cult favorite, PAYBACK. While the character of GRINGO's Driver never reveals his actual name, he possesses a lot of the same qualities as PAYBACK's Porter, including a U.S. military tattoo, a chain-smoking habit, sticky fingers, an iron jaw, and a penchant for bloodshed. Grunberg's direction is also solid with an obvious love for Sam Peckinpah paraded throughout.
For those of us who endured so many years of understandable negativity towards Gibson for his personal troubles, GET THE GRINGO is the film we've long awaited. It's truly a shame this film won't be seen wide in the U.S. It would've been a better comeback vehicle than EDGE OF DARKNESS was meant to be. GET THE GRINGO practically screams, "Remember me? I'm still here, and I still got it!"
But if one thing is certain in the age of home entertainment, it is that every good film gets discovered by an audience. Sooner or later...
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