In the near future the dreams of three adult siblings living in Germany or fractured by difficult romantic relationships on the unwitting involvement with terrorist organizations and a ...
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Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller the real author introduces himself in his life and begins to take-over David's life.
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
In the near future the dreams of three adult siblings living in Germany or fractured by difficult romantic relationships on the unwitting involvement with terrorist organizations and a growing worldwide panic over the few remaining oil fields in Asia.
This is not your typical sci-fi glimpse-of-the-future movie. No gleaming humanoid robots, no laser beams, no problems solved. Instead, this movie tries to portray the next ten years in terms that may be familiar to you if you are interested in "doomer" literature and movies. If not, get ready for a rough ride: resource depletion and consequent resource wars along with overpopulation and people seeking shelter in seemingly more secure countries (in this case, Germany) makes for an explosive mixture, witnessed through the eyes of various people. Some of them play an active part in what unfolds, others are mere onlookers and, sometimes, victims.
The future still brings some technological advancement, albeit in smaller scale than say, the ultimate AI or above-mentioned robots. Instead, they are shown only in passing, which makes them even more impressive: automated traffic that doesn't stop at intersections, e-newspaper and a small garden for growing pepper under the kitchen counter. All of this in contrast with a city falling rapidly apart, trash flooding the streets, all lawns used for camping by immigrants and other homeless people.
Highly recommended, especially if you like movies like "Children of Men". The only (small) drawback for me was that this one here is too strongly focused on the individual tragedies, and maybe too many of them to give the greater political image some space to unfold. It certainly is there, but much more is implied than actively said or done. Nevertheless, it is excellently done, well-acted and may give you some food for thought.
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