7.8/10
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108 user 107 critic

The Man from Nowhere (2010)

Ajeossi (original title)
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1:43 | Trailer

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A quiet pawnshop keeper with a violent past takes on a drug-and-organ trafficking ring in hope of saving the child who is his only friend.

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4,348 ( 192)
15 wins & 15 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Hee-won Kim ...
Seong-oh Kim ...
Jong-seok
Jong-pil Lee ...
Detective No
...
Hyo-seo Kim ...
Hyo-jeong
...
...
Old Woman (as Soo-ryeon Baek)
Kyeong-eup Nam ...
Section Chief
Do-won Jeong ...
Detective Park (as Jeong Do-won)
...
Detective Kim
Seok-hyeon Jo ...
Moon Dal-seo
Sang-Kyeong Son ...
Bear
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Storyline

An ex-special agent CHA Tae-shik's only connection to the rest of the world is a little girl, So-mi, who lives nearby. Her mother, Hyo-jeong smuggles drugs from a drug trafficking organization and entrusts Tae-shik with the product, without letting him know. The traffickers find out about her smuggling and kidnap both Hyo-jeong and So-mi. The gang promises to release them if Tae-shik makes a delivery for them, however it actually is a larger plot to eliminate a rival drug ring leader. When Hyo-jeon's disemboweled body is discovered, Tae-shik realizes that So-mi's life may also be in danger. Tae-shik becomes enraged at the prospect that So-mi may already be dead and prepares for a battle, putting his own life at risk. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Should have left him alone See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, pervasive language, drug content and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

5 August 2010 (South Korea)  »

Also Known As:

The Man from Nowhere  »

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Box Office

Opening Weekend USA:

$35,751, 1 October 2010, Limited Release

Gross USA:

$6,460, 17 February 2017

Cumulative Worldwide Gross:

$43,059,790, 18 November 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Coincidentally has some elements of Mark Greaney's debut novel "The Gray Man" even though it was published months before the film's release. See more »

Quotes

Jeong So-mi: Mister? I embarrass you too, right? That's why you ignored me? It's okay. My teacher and all the kids do that too. Mom said that if I get lost, I should forget our address and phone number. She gets drunk and says we should die. Even though that pig called me a bum... you're meaner. But I don't hate you. Because if I do, I won't have anyone I like. Thinking about it hurts me here. So I won't hate you.
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Connections

References Léon: The Professional (1994) See more »

Soundtracks

Dear
by Mad Soul Child
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User Reviews

 
Violent yet touching.
23 August 2010 | by See all my reviews

This movie threatens to be a run-of-the-mill action movie, but manages to create its own identity. The sameness is how it shows most of its bad guys, and there are plenty, as one dimensionally evil. There are children who are put in harm's way, but not gratuitously--for the most part--providing the hero with a chance to be human.

It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.

This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.

What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.

There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.


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