The hot-headed young D'Artagnan along with three former legendary but now down on their luck Musketeers must unite and defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war.
After failing in a scheme to steal Leonardo Da Vinci's airship blueprints, the Musketeers are disbanded by Cardinal Richelieu leaving Athos, Porthos and Aramis on the streets of Paris. In the meantime, the young, reckless and ambitious D'Artagnan has set off from Gascony with dreams of becoming a musketeer himself, not realizing that they have been disbanded. In no time, D'Artagnan manages to offend Athos, Porthos and Aramis on different occasions and challenges them all to duels. However before the duels can take place they are attacked by guards, trying to arrest them for illegal dueling. The ex-musketeers and D'Artagnan fight off the soldiers, leading to the four men becoming a band with the motto of "All for one, and one for all". Count Richelieu is not only determined to be rid of the musketeers, but also schemes with Athos' former lover Milady to undermine the reign of King Louis and his wife. The musketeers and D'Artagnan are determined to save the royal family and France ... Written by
The dance music near the end is appropriate for the time period. It's a gavotte from Terpsichore, a large collection of dance music published in 1612 by a German composer and musician, Michael Praetorius. The original novel begins in 1625, so the Terpsichore collection would have been known then. See more »
During the vault scene, when the explosive charge on top of the lamp is lit, an electronic candle consisting of what appears to be many LEDs can be seen. See more »
When We Were Young
Performed by Take That
Written by Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams
Sony ATV Music Publishing / EMI Music Publishing / Universal Music Publishing / Farrell
Courtesy of Polydor UK - A Division of Universal Music See more »
Yet another adaptation of the Alexandre Dumas classic Three Muskateers, however this tale came with way too much modernization for my taste. Flying battle ships, automatic cannon launchers, and tricked out vaults were just a few of the technological feats that were only a necessity because the story needed something more to make anyone care long enough to stay in their seat the full running time. I felt that from the trailer there was a desire to make this a larger than life visual extravaganza, with the wide and aerial views of the French and English landscapes, along with the huge explosions the viewer was supposed to be amazed. The only amazing thing that I found was that the only way to remember that we were experiencing a story in Paris, France is that the characters kept mentioning it, otherwise with all the varying accents it was easy to forget where the story was taking place, I don't recall one person speaking with a French accent or even interjecting a bit of French for some authenticity, not once. And don't even get me started on the ridiculously constructed chance meeting of D'artangnan (Logan Lerman) and the Muskateers. I have to admit that I found The Duke of Buckingham (Orlando Bloom) to be delightful, he was a balanced mix of charm and cunning. But what the heck was going on with King Louis the XIII (Freddie Fox), a fashionisto? No one seemed to be immune to the whiles of MiLady de Winter (Milla Jovavich) and you just get the feeling that she is the only woman in the world with an adventurous side, she was everywhere. All I could think of while watching this film was, this is the stupidest Three Muskateers story ever. I love movies, I love action in movies, I love classic tales, and I love fashion in any context, but I did not love this film dare say I did not much like it, it should have stuck with a character driven tale of heroism, side stepping the over the top presentation and preoccupation with fashion. My preference is the classic take on the story, the cleverness and quick wit of the Muskateers, their exceptional fencing ability and their keen sense of loyalty to the thrown as they work to mentor D'artangnan has always been enough. Don't bastardize a classic, make your film and call it Swashbuckling or something else. The story did not require 3-D, and it did not require my presence in the movie theater. I give it a red light.
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