When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible - inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by
Warner Bros. Pictures
If one can't even think about trying to escape from Limbo before the sedation eases (just as Yusuf says), then Cobb can't pretend to do it, because the fact that he is supposed to have fallen there again because of having died drown after 1 minute under the water in the first level indicates 2 minutes in this level equal the 40 years Saito has grown old in Limbo (for in the movie it seems Cobb has spent half the time he did in it), so in "real life" the sedation couldn't have eased when Cobb and Saito kill themselves. See more »
At the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends. See more »
Inception is truly one of a kind. A concept which has long gestated in Christopher Nolan's mind, his eye for drama mixed with his large scale sensibilities ring true in Blockbuster season making Inception a true original in the sea of reboots, remakes and sequels.
To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.
With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.
Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.
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