It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ... Written by
When George is leaving for work in his car, and looking at the girl who lives in the house across the street dancing in slow-motion, the house behind her has dimensional-style shingles, which were first available in the 1980s. See more »
[last lines; voiceover]
A few times in my life I've had moments of absolute clarity, when for a few brief seconds the silence drowns out the noise and I can feel rather than think, and things seem so sharp. And the world seems so fresh as though it had all just come into existence. I can never make these moments last. I cling to them, but like everything, they fade. I have lived my life on these moments. They pull me back to the present, and I realize that everything is exactly the way it was ...
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A stunning outing for Tom Ford. The images are, clearly, out of an aesthete's mind without being shallow, ever. I believe there is a dramatic reason behind every frame. Colin Firth, looking truly handsome, goes through a day of torment with remarkable civility. I felt involved and shaken and couldn't help but make mine his pain. The flashbacks with Matthew Goode are truly vivid and truthful. This is a step forward in explaining through images that love is love no matter who you are, where you come from or what your circumstances are. It could have been a man and a woman, the fact that it's a man and a man is almost irrelevant. We recognize the feel of it and Colin Firth's performance is the magic stroke that makes that not only possible but natural. It is a sensational debut for fashion star Tom Ford. True to himself an artist that promises great, wonderful things for the future. I can't wait.
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