The infamous story of Benjamin Barker, a.k.a. Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
In the 1930s, an elderly Tonto tells a young boy the tale of John Reid, the Lone Ranger. An idealistic lawyer, he rides with his brother and fellow Texas Rangers in pursuit of the notorious Butch Cavendish. Ambushed by the outlaw and left for dead, John Reid is rescued by the renegade Comanche, Tonto, at the insistence of a mysterious white horse and offers to help him to bring Cavendish to justice. Becoming a reluctant masked rider with a seemingly incomprehensible partner, Reid pursues the criminal against all obstacles. However, John and Tonto learn that Cavendish is only part of a far greater injustice and the pair must fight it in an adventure that would make them a legend. Written by
Kenneth Chisholm (email@example.com)
During the opening train scene, John Reid (Armie Hammer) says as he is attempting to become free from the chains, "That's reinforced Bethlehem Steel." The steel company he names was founded in 1857 named "Saucona Iron Company" was first organized by Augustus Wolle. On May 1, 1861, the company's title was changed again, this time to the Bethlehem Iron Company. In 1899, the company assumed the name Bethlehem Steel Company. Bethlehem Steel built many products used in the U.S. infrastructure, and created many wartime products as well. See more »
In the first runaway train, when they reach the end of the line the train grabs a wire spool and it shows the wire being torn from the first pole which should have started a chain reaction of wire being torn from the poles away from the train, however, in the next scene it shows the wire being torn from the poles running toward the train. See more »
I want to show you something. From the time of Alexander the Great, no man could travel faster than a horse that carried him. Not anymore. Imagine; time and space, under the mastery of man, power makes emperors and kings... look like fools. Whoever controls this, controls the future.
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The opening and closing Walt Disney Pictures logos have been darkened and desaturated. See more »
It wasn't hard to outdo the preachy contrived plot of the 2003 Ranger movie, but this one took a step beyond to become a mainstay.
First, it is an adventure film, a Western adventure. The Lone Ranger is a mystique character, and part of the challenge is that he tries to bring men to justice alive. Same for Superman. If they didn't have this challenge, they would have no conflict whatsoever. It makes for a puzzle.
Tonto takes center stage here, but unlike the 2003 disaster, he is a character instead of a symbol of a godlike race. Here, no favorites are played. The most evil ones in this story are a pair of white men, and other white men they enlist, but we aren't given sermons about this.
Depp is great as Tonto. The museum scenes are a bit too much for me, but it is good for the kids. The out of sequence bits work, partly because they aren't emphasized too much. Depp, as Tonto, craftily plays this with a subtle humor, and that is just what is needed for this.
There is the magic and mystique of the Ranger, but also an explanation given for it, as "Nature out of balance". We are dealing with a supernatural chain of events which do allow the Lone Ranger to ride a horse through and on top of railroad cars.
Great blend of humor and adventure, and at the same time a crafty blend of Shakespeare and Indiana Jones. This is better than what meets the eye, and what meets the eye is extra special in itself, with plenty of eye candy for men and women.
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