A moving love story in a time of hatred: During the civil war in Kosovo, the young Serbian widow Danica falls in love with Ramiz, a Albanian soldier who, wounded in battle, seeks refuge in her home on the Serbian side of the River Ibar.
Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by... See full summary »
Nancy Abdel Sakhi,
A young widow, an aging widower-returnee, and a priest from a bankrupt parish are struggling to come to terms with the post-war environment, complete with its prejudices, illusions, and ... See full summary »
Post traumatic life of the Bosnian Muslim widows and daughters after their husbands and fathers were murdered by Bosnian Serb Army. Plot is set in post war eastern Bosnian village near town of Zvornik.
In the nineties the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community and Kenan, a Muslim cellist, are a homosexual couple ... See full summary »
"Na putu" tells the story of young Bosnian-Muslim couple, Luna and Amar, living in post-war Sarajevo, and planning on having a baby. Their idyll is marred: the young man is traumatised from his experiences in the war, and from losing his soldier brother. He turns to alcohol, loses his job, but finds another one through a friend. As it turns out he is being recruited by radical (Wahhabite) muslims, and he finally decides to compensate his alcohol problem by becoming a radical -- or, in his view, true -- Muslim. This is unacceptable to Luna, who sees herself as a modern, moderate Muslim, and has no intention of trading her wardrobe in to become a "ninja" -- her laconic name for a Muslim woman fully dressed in a hijab.
The story of "Na putu" is told in a linear fashion. It always holds the attention, and excels at letting us have a peek at the life in present-day Bosnia i Herzegowina. It always remains subtle and plausible and avoids, for example, to portray Amar and his radical Muslim brothers as wide-eyed fanatics and jihaddites; in a way, we understand while he chooses this path for himself, and why Luna seems to choose another one.
The also excels through great acting, amazing cinematography (it's shot on a Red digital video camera by the way, and the picture quality is stunning) and apt direction.
Simple scenes stay in mind. Such as when Luna films Amar with her cell phone while he's sleeping, and then watches the movie on her pillow when he's gone. Or when Amar protests against Luna grabbing his crotch in bed, to show that he is changing from lover to religious hothead.
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