Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Marcus Luttrell, a Navy Seal, and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. After running into mountain herders and capturing them, they were left with no choice but to follow their rules of engagement or be imprisoned. Now Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare. Written by
Mark Wahlberg accepted the project based on reading Peter Berg's script, and deliberately did not read the actual book, because he didn't want to second-guess Berg's choices in adaptation. See more »
During a gunfight, Marcus is seen looking through the scope of his rifle and looking around, but from one angle, the lens cap on his scope is still on. See more »
[pulling exhausted trainee from the water]
Six times three?
Hurry up, Hurry up, Hurry up... Hurry up.
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A more-or-less accurate depiction of four highly capable SEAL soldiers dropped into enemy territory in Afghanistan. They were then discovered and attacked by dozens of area Taliban. The recreation is riveting, disturbing in its intensity, and eye-opening. Whatever you feel about the war there, or even about soldiers killing other soldiers, you end up admiring the sheer abilities of these fit, smart, determined men.
And only one survives (this is told in the title). So you go into it knowing it will end badly, and also that one of them (probably Mark Wahlberg, the biggest name here) will make it. If the fighting, which makes up most of the movie in the center core of it, is seemingly endless, that's part of the point. But when it shifts to a local village near the end the tale has another kind of intensity, and a welcome change.
This is straight up action material. It lacks even the layers that other movies with similar settings add (see "The Hurt Locker" for one example). But in a way that makes this distinctive. It moves in linear fashion through time, through the events, and so you barrel along without mental complication to the end. It forces everything on the action, and the realistic portrayal of the unbelievable hardship and pain, and death, that comes along the way.
Check out the overly-long Wikipedia page on this movie for lots of facts about production, and about the liberties they took with the facts. Or just watch the movie knowing that there are the usual permitted changes that dramatization requires. Even as pure fiction the movie has enough kinetic and heroic acts to succeed on its own terms.
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