Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
Occident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina ... See full summary »
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use a male abortionist, Bebe (Vlad Ivanor), who, in addition to an absurd amount of money, also demands sex with both women as payment. The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship. Written by
Based on real events an old acquaintance told the director. See more »
Adrian Daminescu's "Si m-am indragostit de tine" can be heard playing downstairs when Otilia is outside of the hotel room, checking on Gabita. The song is in the same place when she suddenly appears downstairs to talk to the hotel matron. See more »
Usually, movies are about entertainment, or about art, or simply they just have something to say. This is exactly the case with "4,3,2". Going beyond exceptional cinematography, this is a movie about serious problems, in a serious approach. It's about those extraordinary events in our every day life. The cast and all the effort put into making it add up to the success of presenting a story about real life with fictional means. It's not a movie about women, nor about men, it doesn't concern only women, or only men, it's about struggle and sacrifice, without being pathetic or exaggerated. You, or me, or the one next to you, could face the same problems and we each deal with them in our own way. The winning point of the film is that it's not judgemental about these choices, but only alarming, or purely descriptive.
Great acting, great directing, great filming, great writing and a great story make this film well worthy of those Palmes D'Or. It's a great achievement for cinematography in general, not only the Romanian one in particular. But for a more detailed perspective, just go see the movie!
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