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Robin Hood (2010)

PG-13 | | Action, Adventure, Drama | 14 May 2010 (USA)
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In 12th century England, Robin and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power.

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(screenplay), (story) | 2 more credits »
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1,408 ( 229)
1 win & 14 nominations. See more awards »
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Cast

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Storyline

Birth of a legend. Following King Richard's death in France, archer Robin Longstride, along with Will Scarlett, Alan-a-Dale and Little John, returns to England. They encounter the dying Robert of Locksley, whose party was ambushed by treacherous Godfrey, who hopes to facilitate a French invasion of England. Robin promises the dying knight he will return his sword to his father Walter in Nottingham. Here Walter encourages him to impersonate the dead man to prevent his land being confiscated by the crown, and he finds himself with Marian, a ready-made wife. Hoping to stir baronial opposition to weak King John and allow an easy French take-over, Godfrey worms his way into the king's service as Earl Marshal of England and brutally invades towns under the pretext of collecting Royal taxes. Can Robin navigate the politics of barons, royals, traitors, and the French? Written by don @ minifie-1

Plot Summary | Plot Synopsis

Taglines:

Outlaw. Warrior. Hero. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence including intense sequences of warfare, and some sexual content | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

14 May 2010 (USA)  »

Also Known As:

Nottingham  »

Filming Locations:

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Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend USA:

$36,063,385, 16 May 2010, Wide Release

Gross USA:

$105,269,730, 5 August 2010

Cumulative Worldwide Gross:

$321,669,741, 5 August 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| | (director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Richard and John's mother, Elanor of Aquitaine, was played in The Lion in Winter (1968) by Katharine Hepburn. Cate Blanchett played Hepburn in The Aviator (2004). See more »

Goofs

At the meeting in Barnsdale, William Marshal informs King John and the Barons that the French are "in the channel". Then, after the battle at Nottingham, the French officer informs Robin that the French will land in two days. (aside from him having no way to know this since the message to Philip to invade had just been dispatched by Godfrey when they marched on Nottingham). The channel crossing from Calais to Dungeness is only about 25 miles and would not take two days. See more »

Quotes

Robin Longstride: Girl
Marion Loxley: Girl? Either you've grown blind or come looking for charity.
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Crazy Credits

The first part of the end credits are in the same style as Ridley Scott's production company 'Scott Free Productions'. See more »


Soundtracks

Permis F
(uncredited)
Written by Pat Jabbar & Abdelaziz Lamari
Performed by Kasbah Rockers
Courtesy of Barraka El Farnatshi Prod.
(extended DVD version - Director's Cut only)
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Frequently Asked Questions

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User Reviews

 
Solid, but not great
12 May 2010 | by See all my reviews

Solid is the keyword. From the screenplay, to the cinematography and the performance, the film is based on solid grounding. Indeed, we couldn't imagine less from the people assembled on the project. And the first signs are indeed good, starting as an origin story that traces Robin's steps returning from the Crusades and arriving in Nottingham. The plot is immediately both compelling and fresh with regards to the well known tale.

The first problem we run into is that the film never allows itself to linger. This creates two problems: the sense of purpose it reaches for through urgency has a tendency to be lost to aimlessness, and the characters never have the space to generate real depth of emotion.

Imagine only this: Russel Crowe, Cate Blanchett and William Hurt together have collected three Oscars, and an additional nine nominations. Yet it it's hard to lavish praise on their performances, because they never manage to inspire empathy as well as we might wish. The sense of urgency - of imminent physical danger to their person, of the crucial importance of their quest - never quite strikes home.

The screenplay doesn't always help them. It attempts to give the tale a strong moral foundation, by associating it with burgeoning democratic ideals in feudal Britain, unconvincingly: suspension of disbelief failed this reviewer.

For both these reasons, the epic sense of greatness that saturates Mr. Scott's similar works never works in this one. Indeed, in the anticipated climax of the battle, slow motion shots fall flat, and emotion never reaches an expected high, in spite of the film's competence in the action scenes.

This is a work that strangely echoes others, as well. People will be drawn to comparisons with Gladiator; these aren't particularly relevant beyond Russell Crow's similar (yet less engaging) performance. Rather, Robin's journey from the crusades and through England, in which he prospers on fateful luck and earned respect, copies Ridley Scott's own Kingdom of Heaven. In their themes and ambition these three films are alike, but Robin Hood doesn't thrive from the comparison. Where flaws are shared, what made the other two great is oddly lacking in this latest historical epic from the director.


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