Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Nina (Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Cassel) decides to replace prima ballerina Beth MacIntyre (Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her. Written by
Fox Searchlight Pictures
The role of the "Jaded Piano Player," the ballet rehearsal pianist who, most memorably, tells Nina that she has been working too hard and she should take a break, is played by John Epperson, a performer who is perhaps better known for his drag persona, Lypsinka. Epperson really did work as a rehearsal pianist for the American Ballet Theatre during the late 1970s and early 1980s, accompanying the rehearsals of such ballet luminaries as Mikhail Baryshnikov, Natalia Makarova, Rudolf Nureyev, Margot Fonteyn, and Gelsey Kirkland. See more »
When Nina returns home and looks for her mother, after being assigned a role, a camera operator is visible in a mirror. See more »
I had the craziest dream last night. I was dancing the White Swan.
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Yeah, it must be Darren Aronofsky, at it again. I'm certain I've just seen a brilliant piece of filmmaking, but at the same time I feel like I've just been run over by a convoy of trucks. It will be a while before I calm down enough to sleep, so here I am.
Not everyone is as big as of an Aronofsky's style as I am, but one thing that can't be denied is that he is great at working with actors. Ellen Burstyn, Mickey Rourke, and now Natalie Portman are all very accomplished actors who have found a new level and delivered transcendent performances under Aronofsky. In Black Swan, Natalie Portman's turn as Nina Sayers is, hands down, the best acting performance of 2010-- male or female. If you'll forgive the cliché, I completely forgot Nina was Natalie Portman about five minutes into the movie. As Nina goes deeper and deeper into her role as the Swan Queen, Portman only becomes more and more captivating. The entire cast is excellent, but Portman alone makes this movie a must-see.
Darren Aronofsky is at his boldest heading up Black Swan. His depiction of Nina's struggles as she succumbs to growing pressures from her director, her mother, her rivals, her physical ailments, her personal need for a perfect performance.. it is intense, thrilling, exhausting, and truly gripping throughout. Part of what makes it work is that we are completely along for the ride with Nina. We see what she sees, we experience what she experiences, and sometimes it is truly distressing stuff.
As great as the first 60-70 minutes are, man oh man, nothing can prepare you for the final 30. This finale takes you to places I can't even describe. I dare say it's on par with Requiem for a Dream's devastating third act. It's a masterfully crafted climax that only Aronofsky could deliver.
I am glad Aronofsky is able to do what he does. His brutal and uncompromising style is definitely not for everyone, and it's not box office gold, but for those viewers who connect with what he's doing, the experience is truly something special.
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