In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
According to Andrew Stanton's director's commentary, the names and (caricatured) likenesses of past Axiom captains are from Pixar writing team members. The years listed for each captain seems to be term of service, not lifespan, as there is no overlap of years. The average term of service is 135 years. The years add up to 666. Within the portraits, Auto develops from a small light and becomes brighter with each succeeding captain. The obesity of the captains grows at the same rate, showing a correlation between reliance on autopilot versus actively moving. See more »
The satellites over Earth appear to be standing still when the scout ship smashes through them (if they were moving at orbital speeds, such impact would have vaporized both them and the ship). However, standing satellites would fall down to Earth in a matter of minutes. But even if they were moving properly, such low orbits would've decayed in a matter of decades (let alone 700 years) due to atmospheric friction, solar wind, and interaction between satellites themselves. The only explanation is that all the satellites constantly support their positions with engines, but they appear to be defunct, and it's not likely that so many of them could still operate after 700 years. See more »
Voice in commercial:
Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.
See more »
During the first half of the credits when the humans are seen rebuilding the world, they start off as the large people they are in the movie and gradually become thinner and more fit as the credits and artwork progress as the work gets them back into shape. See more »
I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
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