In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
The name "WALL-E" is a tip of the hat to Walter Elias Disney. See more »
For the ship to have survived 700+ years in space, everything would have to be recycled (including the passengers). Dumping huge amounts of trash out in space would eventually deplete the ship of materials needed to maintain operations. This is likely a metaphorical/stylistic decision by the filmmakers, as a reflection of the "Consume and discard" BnL attitude that led to the desolation of Earth in the first place.
We also don't see enough detail of the ejected garbage to tell whether it actually represents the full variety of waste the ship would have produced (for example, there doesn't seem to be any water in the garbage); it's possible that some things are recycled while others are jettisoned. Furthermore, "outer space" isn't as empty as we imagine it to be; many basic elements could theoretically be harvested from the ship's surroundings, and the ship could have capabilities for using that material that we simply don't see. See more »
Voice in commercial:
Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.
See more »
An image during the credits reveals what WALL·E and EVE's plant finally grows into, as well as a hint at what the future holds for the couple. See more »
I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
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