In a romantic and philosophical tale of magic and love, a mischievous Sorcerer turns a bear into a young man. Unhappy in his new state, the former bear, with the help of the magician and ... See full summary »
Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse. Written by
Postalj (Taken from Sa'ar Vardi's post)
Final produced screenplay of playwright Harold Pinter, as well as Pinter's final appearance in a filmed production. See more »
In the scene where Andrew is explaining how Milo can break into the house, a security monitor shows the ladder against the side of the house. Moments earlier, the same ladder was shown to be on its side on the ground. See more »
While the original titillates the intellect, this cheap remake is designed purely to shock the sensibilities. Instead of intricate plot-twists, this so-called thriller just features sudden and seemingly random story changes that serve only to debase it further with each bizarre development. Worst of all, replacing the original spicy dialog is an overturned saltshaker full of unnecessary four-letter words, leaving behind a stark, but uninteresting taste.
There was promise--unfulfilled promise. The prospect of Michael Caine pulling off a Patty Duke-like Keller-to-Sullivan graduation is admittedly intriguing. Unfortunately, this brilliant and respected actor only tarnished his reputation, first by accepting the role in this horribly re-scripted nonsense and then by turning in a performance that only looks competent when compared to Jude Law's amateurish overacting.
If you haven't seen the classic original, overlook its dated visuals and gimmicks. Hunt it down, watch it, and just enjoy a story-and-a-half. As for the remake, pass on this insult to the original.
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