| Fotos (Alle 112 | Diashow) | Videos (see all 32) |
Regie | |||
| Kenny Ortega | |||
Buch(In alphabetischer Reihenfolge) | ||
| Peter Barsocchini | writer | |
Produktion | |||
| Bill Borden | .... | producer | |
| Kenny Ortega | .... | co-producer | |
| Barry Rosenbush | .... | executive producer | |
Originalmusik | |||
| David Lawrence | |||
Kamera | |||
| Daniel Aranyó | |||
Schnitt | |||
| Seth Flaum | |||
Casting | |||
| Natalie Hart | |||
| Jeff Johnson | |||
| Jason La Padura | |||
Szenenbild | |||
| Mark Hofeling | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Ken Kirchner | |||
Kostüme | |||
| Tom McKinley | |||
Maske/Frisuren | |||
| Raquel Goodsell | .... | assistant makeup artist | |
| Jennifer Llewelyn | .... | key hairdresser | |
| Robin Michelle Patrick | .... | hair designer | |
| Robin Michelle Patrick | .... | makeup designer | |
Produktionsleiter (production managers) | |||
| Shauna Miller | .... | production supervisor | |
| Tom Summers | .... | post-production supervisor | |
Regieassistenten | |||
| Brent Geisler | .... | second second assistant director | |
| Martin Jedlicka | .... | first assistant director | |
| Robert Andrew Reeves | .... | second assistant director | |
Ausstattung (Stab) | |||
| Scott Arneman | .... | property master | |
| Burke Bowthorpe | .... | additional props | |
| David Brothers | .... | scenic | |
| Wray Featherstone | .... | assistant property master | |
| Matt Harris | .... | props | |
| Adam Henderson | .... | set dresser | |
| Derek Hunter | .... | props | |
| Michael Kirkland | .... | scenic | |
| Scotty Meek | .... | on-set dresser | |
| Richard T. Olson | .... | art department coordinator | |
Ton Stab | |||
| Douglas Cameron | .... | production sound mixer | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Noel Espinosa | .... | cable utility sound | |
| Mark Friedgen | .... | supervising sound editor | |
| Joseph L. Garrard | .... | boom operator | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Brian Rawlings | .... | studio executive | |
| Keith Rogers | .... | sound re-recording mixer | |
Spezialeffekte | |||
| Rick Josephsen | .... | special effects coordinator | |
Visual Effects | |||
| Michael Caplan | .... | visual effects producer | |
| Dan Schmit | .... | visual effects supervisor | |
| Adam Simpson | .... | visual effects editor | |
| Eric Heavens | .... | digital compositor (uncredited) | |
Stunts | |||
| Don Shanks | .... | stunt coordinator | |
Kamera und Elektrik (Stab) | |||
| Mary Boregino | .... | assistant camera | |
| Kurtis Burr | .... | assistant camera | |
| Brandon Gleave | .... | electrician | |
| Jeff Gustafson | .... | camera loader | |
| Fred Hayes | .... | still photographer | |
| Kevin Hefner | .... | camera operator | |
| Shawn Lacy | .... | key grip | |
| Adam Larkey | .... | still photographer | |
| Andrew Mitchell | .... | Steadicam operator | |
| Andrew Mitchell | .... | camera operator | |
| Don Muirhead | .... | additional camera operator | |
| John Raymer | .... | electrician | |
| David 'D.R.' Rhineer | .... | first assistant camera | |
| Jonathan Roatcap | .... | grip | |
| Brian Sullivan | .... | camera operator | |
| Craig Sullivan | .... | best boy grip | |
| Jason Walser | .... | dolly grip | |
| Kirk Westwood | .... | assistant camera | |
| Garlan Wilde | .... | gaffer | |
| Mike Woodward | .... | assistant camera | |
Casting (Stab) | |||
| Tye Nelson | .... | casting assistant | |
| Kendra Patterson | .... | casting assistant | |
| Georgia Simon | .... | adr voice casting | |
Kostüm und Garderobe (Stab) | |||
| Zach Bilemdjian | .... | assistant costume designer | |
| Jennifer Breeden | .... | costumer | |
| Katie Holland | .... | set costumer | |
| Barbara Nelson | .... | costume supervisor | |
| Christina Phipps Johnson | .... | costumer | |
| Kacie Seamons | .... | costumer | |
| Brooke Westberg | .... | key costumer | |
| Brooke Westberg | .... | set costumer | |
Schnitt (Stab) | |||
| Gus Comegys | .... | on-line editor | |
Musik (Stab) | |||
| Steven Christopher | .... | music supervisor | |
| Michael Dittrick | .... | supervising music editor | |
| Amber Funk | .... | music editor | |
| Danita Ng | .... | music transcription | |
| Jason Poss | .... | music transcription | |
Transporte | |||
| Stephen Rippey | .... | driver | |
| Barry Tuttle | .... | transportation coordinator | |
Restlicher Stab | |||
| Holly Alderman | .... | production assistant | |
| Dallin Bassett | .... | key office production assistant | |
| Jennifer Chapman | .... | production coordinator | |
| Amy Chesley | .... | stand-in | |
| Steven Doxey | .... | production assistant | |
| Carole Fontana | .... | location manager | |
| Kipling Hicks | .... | assistant production coordinator | |
| Mike Kiely | .... | production accountant | |
| Kelly L. King | .... | assistant to director | |
| Charles Klapow | .... | choreographer | |
| Brandon Lang | .... | office assistant | |
| Roger Malaga | .... | associate choreographer | |
| Josh Moceri | .... | production assistant | |
| Kate Morrison | .... | script supervisor | |
| Jared Murillo | .... | associate choreographer | |
| Ryan Pederson | .... | production assistant | |
| Laura Summer | .... | additional voices | |
| Cortland Wilson | .... | production assistant | |
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| The Lizzie McGuire Movie | The Notebook | High School Musical | A Walk to Remember | Spider-Man 3 |
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| Nachrichtenartikel | IMDb Komödie section | IMDb USA section |
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I understand that a lot of people feel that this wasn't as good as the first movie, but personally I think it's as good, if not better than the first one. The cast seem a lot more comfortable with each other and their characters, which make their characters seem a lot warmer and welcoming.
I also like that this film concentrates a little more on the importance of characters such as Martha, Kelsi, and Zeke. In my eyes, they're just as important as the main six, and I can't imagine the movie without any of them.
As with the first movie, the singing and dancing are flawless and perfect. My only problem is that there isn't a song that is as amazing and climatic as Breaking Free. The equivalent in this movie would be Everyday, but it's nowhere near as powerful.
Nevertheless, an amazing film that you'd be a fool to miss, no matter what age you are (take it from a 19-year-old!)