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Hellboy Animated: Sword of Storms (2006)

Hellboy travels to Japan to fight an ancient demon.

Writers:

(screenplay), (screenplay) | 4 more credits »
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Nominated for 1 Primetime Emmy. Another 1 nomination. See more awards »

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Cast

Cast overview:
...
Hellboy (voice)
...
Liz Sherman (voice)
...
Abe Sapien (voice)
...
...
Lightning / Kappa / Pilot (voice)
Kim Mai Guest ...
Additional Voices (voice)
Michael Hagiwara ...
Additional Voices (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
...
Bureau Member / Pilot / Additional Voices (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
Mitchell Whitfield ...
Russell Thorne (voice)
...
Kitsune (voice)
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Storyline

A professor of folklore opens a forbidden scroll and becomes possessed by the ancient Japanese demons of Thunder and Lightning, who seek to return and dominate our world. The Bureau for Paranormal Research and Defense sends Hellboy and a team of agents to investigate, but when Hellboy picks up a samurai sword, he literally disappears into a weird wonderland of Japanese legends, ghosts and monsters. Meanwhile, BPRD agents Kate Corrigan and Russell Thorne are on the trail of the possessed professor to bring Hellboy back. Written by IDT

Plot Summary | Add Synopsis


Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

28 October 2006 (USA)  »

Also Known As:

Helboj - Olujni mač  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

In the scene were Hellboy is talking to the Daimyo's daughter, the statue in the background is making a 'rock on' hand sign. See more »

Goofs

We see the giant bat creature pin Abe to the ground, then the shot cuts away for a moment and then cuts back to the bat but Abe is now on his feet and several yards away from the creature when there wasn't time for him to get there. See more »

Quotes

Hellboy: Hey, kiddo. How you doing?
Liz Sherman: Great. For a walking napalm strike...
Abe Sapien: You saved our lives, Liz.
Liz Sherman: I practically torched you. Not to mention a couple of dozen miyans. Sorry about the burns...
Abe Sapien: Barely a sunburn.
Hellboy: Come on, they were mummies. And they were trying to kill you. Trust me, there's no upside to cutting the undead ANY slack.
Abe Sapien: You did what you had to do.
Liz Sherman: I lost control, is what I did. If you hadn't stopped me, I probably would have melted the place, and probably the two of you. I can handle the ...
[...]
See more »

Connections

Featured in Troldspejlet: Episode #41.6 (2009) See more »

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User Reviews

 
A fun little cartoon,...just not as well rounded
12 September 2014 | by (United States) – See all my reviews

Cartoon TV movies are not uncommon in the world of popular characters. Several icons have had theatrical runs and then later on are moved to TV movies. Some stuck with live-action, while others turned to different methods. For Guillermo Del Toro's Hellboy (2004), animation was the next route. For a few reasons, it's understandable to why this was the definitive choice. First and foremost, animation is cheaper than live- action. The second reason would be the demographic. If it's a cartoon, there's a good chance more children would end up seeing it. A third possible reason was to see if it would turn into a series. A perfect example of this would be the TV movie / Direct-to-DVD release of Buzz Lightyear of Star Command: The Adventure Begins (2000). After its success, the cartoon became a running TV series on the Disney Channel. It's interesting because this could have been like that but there are some things holding it back too.

It's difficult to say what time this installment of Hellboy takes place. Since Dr. Broom (Hellboy's father) is not shown, it is assumed that it takes place after the first theatrical film. When a magical katana sword possesses the body of a Japanese Sword Historian, Hellboy, Liz and Abe Sapien are brought in. However, this doesn't exactly make it that much more exciting story wise. The story is about Hellboy taking on another spirit creature but it feels very detached from its predecessor. Just because it's not live-action doesn't mean the story can't continue from the events of the last movie. The back-story to the mystical katana sword is a bit cliché but not too dull to be bored with. The section of writing that suffers the most is the plot. Hellboy ends up being caught up in a mystical world where he has to find his way out and it takes up the majority of the movie. This is where it feels slow - even for a little over 70 minutes.

Another problem in this feature is the animation itself. The flow of how the characters move isn't that smooth. The mouth work to the voice acting looks rather rigid as well. And what's with Hellboy's design? A huge upper torso and scrawny goat legs? I think that could be evened out a little more. An element that doesn't need any fixing however is the level that this cartoon sets itself at. Meaning, it's edgy. Not edgy enough to have curvaceous women in it, but it does have some disturbing images, close to heavy violence and several swears. This is good and all but it does bring into question if this film was made for children. If it was made for children, all the things mentioned prior should've been toned down. And if it was for adults, it should've been made like the HBO Spawn series. The action and creature designs are note worthy though. Dark and creepy cartoons are not as common among animation movies so that's a plus.

For voice acting is definitely smart of the casting department to grab ahold of Ron Perlman and Selma Blair. Their voices can't be replaced. The same also should've gone for David Hyde Pierce who voiced Abe Sapien from the live-action run. Nothing on Doug Jones who was the physical representation of Abe, but Pierce has always been the voice of scientific sounding characters. Jones' voice as his own character doesn't accomplish that same feat. Phil LaMarr also has a few voice roles too. Listen for him. The score composed by Christopher Drake is well done. His tracks represent the scenes properly and he also maintains the establish recognizable theme Marco Beltrami had created from the first movie. That is commendable considering most composers either ignore or forget these key pieces. Its fun but not engaging enough like the original.

It provides some of the same quality like the original with its returning cast of voices, edgy action, grotesque creatures and music, but its writing isn't as polished. The story elements aren't as captivating as they were from before.


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