Eleven vignettes, all homages to New York City life, are presented. I. Ben, a pickpocket, is attracted to Molly on first sight, and gets into an interesting "pissing match" with Molly's married lover, NYU professor Garry. II. Mansuhkhbai, an orthodox Jain diamond wholesaler, and Rifka, an orthodox Jewish diamond retailer who is getting married tomorrow, learn that they have more in common than just diamonds. III. David, a musician and music editor for a video being directed by Abarra, is having problems meeting Abarra's demands while he slowly falls for Abarra's assistant, Camille, who he's never met but has only talked to on the telephone solely about work. IV. A young man believes he's made a powerful connection to a stranger, a young woman, in the simple act of lighting her cigarette, and proceeds to convince her of the same and as such that there is a future for them from that point on, and not at some unspecified time down the road. V. A high school senior, who has been dumped by... Written by
In March 2008, Abraham Karpen, a 25-year-old member of the insular Williamsburg, New York, Hasidic (ultra-Orthodox Jewish) community, dropped out of filming on the orders of his community's rabbis. Karpen had been playing the role of the husband of Natalie Portman's character. Their segment had most probably already been shot, since Portman's site contains a photo gallery from two days of shooting (12 and 13 March 2008) and the filming was supposed to take two days. Karpen's face is now closed with a picture of Keira Knightley's face in the photo gallery. However, Karpen is in the film and is credited for the role as Abe Karpen. See more »
When the painter was drawing the Chinese woman using soy sauce, he dripped a few drops on her face, but in the next scene, in his studio, the soy sauce drips are gone. See more »
Have you ever made love to a perfect stranger?
Now you're teasing me.
I believe I am.
Well, I mean... No, not exactly a perfect stranger, if you mean someone I wouldn't know at all.
It's sad? Why?
Because there's almost nothing more exciting than fucking somebody you don't know. Right? You don't know their name, barely saw their face.
Don't... Don't tell me your name.
See more »
New York City Is the Place
(Pete Miser Remix)
Written and Published by Jack Livesey (as J. Livesey) / Two Dudes And A Laptop (BMI), Peter Nashel (as P. Nashel) / Two Dudes And A Laptop (BMI),
P. Ho / Big Brother Lin Drum Music (BMI) World Records Ltd.
Performed by The Con Artists See more »
A few years ago Paris je t'aime, or Paris, I Love You came out featuring some amazing talents like the Coen brothers, Alfonso Cuaron, Gus Van Sant, and Alexander Payne. It consisted of 20 very short films, each with their own unique style and storyline, only they all shared the same setting of Paris. Three years later, another group of filmmakers and writers, including the late, great Anthony Minghella, decided to make a film consisting of short vignettes called New York, I Love You.
The idea is nice. It's endearing how a group of people can come together and present several different stories about a place that they love.
(Pause for nice, smiling moment)
Okay, back to the film. Now that we can agree that this is a nice idea, I think it's time to get serious. Much like Paris je t'aime, there are parts of this film that are nice. Still, overall I can't help but disagree with the construction of this film. I thought the stories were clever, but if I liked the story I didn't like the acting, or if I liked the acting, the directing was off. It was a never-ending stream of likes and dislikes.
There are some interesting segments. Brett Ratner's segment about a teenager trying to go to prom is clever and entertaining, starring Anton Yelchin, Olivia Thirlby, and James Caan. I thought Caan gave the most honest performance in the whole film. He had the look and most of all the sound of a New Yorker. I was even impressed with Natalie Portman's segment which follows a man looking after a young girl in Central Park.
There was nothing that blew me away like some of the parts of Paris, je t'aime. There was nothing here that made me say, "Wow!" For a film like this nice just doesn't cut it. I can forgive a few bad shorts for one or two really good ones. At least I can take something away from the film. I all took away from this were the various settings that New York City has to offer.
Making a compilation film is risky. One bad egg can spoil the rest, or in this case a lot of mediocre eggs can make for a bland film. New York, I Love You has a lot of potential, but doesn't pull it off.
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