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Regie | |||
| Jonathan King | |||
Buch(In alphabetischer Reihenfolge) | ||
| Jonathan King | writer | |
| Matthew Chamberlain | ... | Oliver Oldfield (as Matt Chamberlain) | |
| Nick Fenton | ... | Young Henry | |
| Sam Clarke | ... | Young Tucker | |
| Eli Kent | ... | Young Angus | |
| Nathan Meister | ... | Henry Oldfield | |
| Nick Blake | ... | Taxi Driver | |
| Oliver Driver | ... | Grant | |
| Danielle Mason | ... | Experience | |
| Peter Feeney | ... | Angus Oldfield | |
| Glenis Levestam | ... | Mrs. Mac | |
| Richard Chapman | ... | Muldoon | |
| Louis Sutherland | ... | Winston | |
| Tammy Davis | ... | Tucker | |
| Tandi Wright | ... | Doctor Rush | |
| Ian Harcourt | ... | Brash | |
| James Ashcroft | ... | Prebble | |
| Mick Rose | ... | Mike | |
| Kevin McTurk | ... | Weresheep | |
| Lucy Briant | ... | Investor | |
| Justin B. Carter | ... | Investor (as Justin Carter) | |
| Deana Elvins | ... | Investor | |
| Luke Hawker | ... | Investor | |
| Jono Manks | ... | Investor (as Jono Marks) | |
| Lewis Rowe | ... | Investor | |
| Peter Rutherford | ... | Investor | |
| Matthew Saville | ... | Investor | |
| Richard Whiteside | ... | Investor | |
| Min Windle | ... | Investor | |
| Tim Wong | ... | Investor |
Produktion | |||
| Philippa Campbell | .... | producer | |
| Judith Trye | .... | line producer | |
Originalmusik | |||
| Victoria Kelly | |||
Kamera | |||
| Richard Bluck | |||
Schnitt | |||
| Chris Plummer | |||
Casting | |||
| Liz Mullane | |||
Szenenbild | |||
| Kim Sinclair | |||
Bauten/Dekorationsbau (art directors) | |||
| Simon Bright | |||
Kostüme | |||
| Pauline Bowkett | |||
Maske/Frisuren | |||
| Debra Ashton | .... | additional makeup artist | |
| Hayley Atherton | .... | makeup assistant | |
| Debra East | .... | makeup supervisor | |
| Davina Lamont | .... | special makeup effects artist | |
| Samantha Lyttle | .... | special makeup effects technician | |
| Angela Mooar | .... | additional makeup artist | |
| Jess Reedy | .... | special makeup effects artist | |
Produktionsleiter (production managers) | |||
| Rosemary Dority | .... | post-production supervisor | |
Regieassistenten | |||
| Sarah Lowe | .... | second assistant director | |
| Joe Nolan | .... | first assistant director | |
Ausstattung (Stab) | |||
| Brett Blenkin | .... | carpenter | |
| Vanessa Cole | .... | assistant art director | |
| Neil Kirkland | .... | construction manager | |
| Alastair Maher | .... | head scenic | |
| Eileen McCann | .... | set finisher | |
| Nick Riera | .... | on-set carpenter | |
| Sarah Weinberg | .... | stand-by props | |
| Gillian West-Walker | .... | set dresser | |
| Ben Whale | .... | set dresser | |
Ton Stab | |||
| Phil Burton | .... | temp mixer | |
| Chris Hiles | .... | sound recordist | |
| Gilbert Lake | .... | sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Robyn McFarlane | .... | foley recordist | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | sound designer | |
| Sam Spicer | .... | boom operator | |
Spezialeffekte | |||
| Marion Davey | .... | creature effects coordinator: Weta Workshop | |
| Iain Hutton | .... | armourer | |
| Iain Hutton | .... | special effects technician | |
| Phil McLaren | .... | special effects supervisor | |
| Gayle Munro | .... | production manager: Weta Workshop | |
| Richard Taylor | .... | special effects | |
| Paul Tobin | .... | designer | |
Visual Effects | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| George Port | .... | visual effects supervisor: PRPVFX | |
| Abigail Scollay | .... | digital compositor | |
| Pete Williams | .... | scanning and recording manager: Weta Digital | |
Stunts | |||
| Justin B. Carter | .... | stunts | |
| Augie Davis | .... | stunt coordinator | |
| Winham Hammond | .... | stunts | |
| Tim Wong | .... | assistant stunt coordinator | |
| Tim Wong | .... | fight coordinator | |
Kamera und Elektrik (Stab) | |||
| David Brown | .... | gaffer | |
| Jamie Couper | .... | lighting technician | |
| Dion Hartley | .... | key grip | |
| Garth Michael | .... | second assistant camera | |
Kostüm und Garderobe (Stab) | |||
| Chantelle Bowkett | .... | costume assistant | |
| Pauline Laws | .... | head pattern maker | |
Schnitt (Stab) | |||
| Clare Burlinson | .... | digital intermediate colorist | |
| David Hollingsworth | .... | telecine colorist | |
| Shanon Moratti | .... | digital intermediate editor | |
| Nicola Spencer | .... | assistant editor | |
Restlicher Stab | |||
| Anne Chamberlain | .... | unit publicist | |
| James Delaney | .... | animal trainer | |
| Caroline Girdlestone | .... | animal trainer | |
| Thea Govorko | .... | production secretary | |
| Matthew Grainger | .... | script consultant | |
| Veronique Lawrence | .... | script supervisor | |
| Andy Wickens | .... | lab liaison | |
| Brigitte Yorke | .... | production coordinator | |
Widmungen und Dankeschöns | |||
| Peter Jackson | .... | thanks | |
| Terry Rossio | .... | thanks | |
| Jamie Selkirk | .... | thanks | |
| Beteiligte Firmen | Einspielergebnisse | Technische Angaben |
| Hauptübersicht |