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The Baader Meinhof Complex (2008)

Der Baader Meinhof Komplex (original title)
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A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s.

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(screenplay), (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 4 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jan Carl Raspe (as Niels Bruno Schmidt)
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Simon Licht ...
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Daniel Lommatzsch ...
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Storyline

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg. Written by Constantin Film

Plot Summary | Plot Synopsis

Taglines:

The children of the Nazi generation vowed fascism would never rule their world again.


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, disturbing images, sexual content, graphic nudity and language | See all certifications »

Parents Guide:

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Details

Language:

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Release Date:

25 September 2008 (Germany)  »

Also Known As:

The Baader Meinhof Complex  »

Box Office

Budget:

€20,000,000 (estimated)

Opening Weekend:

£108,791 (UK) (14 November 2008)

Gross:

$476,270 (USA) (4 December 2009)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie poster which can be seen at the beginning of the film is from "Mourning Becomes Electra". See more »

Goofs

When Petra Schelm and Gerhard Mueller abandon their BMW 2002 on a bridge while being chased the police, the 2002 used featured rectangular taillights, indicating the car was 1973-1976 model (the earlier models had round taillights). But the event took place in the middle of 1971 (immediately after the scene a TV shows an original news program about the event; it shows the correct BMW 2002 with the round tail lights). See more »

Quotes

Brigitte Mohnhaupt: Stop seeing them the way they weren't.
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Connections

Features Tagesschau (1952) See more »

Frequently Asked Questions

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User Reviews

 
guns and cigarettes
5 October 2008 | by (Germany) – See all my reviews

a few words in advance,

never could a movie dealing with the RAF reach a high average vote and lead to a general approval. It simply depends on the different emotions according to this topic. Don't forget that some 35 years ago there existed an unbelievable high support among young people for the terroristic organization whereas the majority looked with disgust at the murderers.

So watching this movie is simply not more than a check whether the director catches the already existing attitude towards this controversial topic. In my eyes, the optimal way to direct this movie would have to treat it like a partly documentary with many original television scenes connected with the presentation of the characters. What I was interested in was whether this movie is able to place the viewer inside the plot, whether one could feel the atmosphere of this extreme period of German history and whether the presented scenes are consistent with the documents one had seen in television reports before. The movie has definitely come up to my expectations. The characters are just brilliant. It is some of the best German work of acting I have ever seen, every single scenes is so consistent with the picture one has in mind. Almost nothing stays from the line of the real development. The only thing I criticize is the selection of scenes. Maybe, the killers are given to much space to call out their misplaced ideology but neither is their behavior justified nor is any sympathy given to them. There doesn't exist any scope for interpretation about who was right and who was wrong. Furthermore, a few more words could have been given to the victims of the RAF whose assassinations are presented very precisely.

All in all, it is a shocking but good movie.


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