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When Nietzsche Wept (2007)

PG-13 | | Drama | 2 August 2007 (Israel)
Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

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Writers:

, (novel) (as Irvin Yalom)
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Cast

Credited cast:
...
...
...
...
Bertha (as Michal Yanai)
...
Sigmund Freud
...
Zarathustra
...
...
Frau Becker
Yzhar Charuzi ...
Hush Man
Ilan Charusi ...
Carmen Barman
Tal Fructer ...
Girl by Pianist
Silvia Terzieva ...
Mrs. Fiefer
Ivaylo Brusowski ...
Mendel Fiefer
Rest of cast listed alphabetically:
Axl Brusberg
Ventsislav Slavov ...
The Father of Josef
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Storyline

Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

Plot Summary | Plot Synopsis

Taglines:

We Are More In Love With Desire Than The Desired

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and some thematic material | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

2 August 2007 (Israel)  »

Also Known As:

El día que Nietzsche lloró  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

[first lines]
Lou Salome: [writing a letter] Dr. Breuer, I must see you on a matter of life or death. Meet at nine tomorrow morning, at the Cafe Rousse.
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Soundtracks

Barber of Seville- Largo Al Factotum
Composed by Gioachino Rossini
Courtesy of 5 Alarm Music
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User Reviews

 
A surprisingly charming gloss of a dense "Ragtime"- like novel
11 May 2008 | by (USA) – See all my reviews

Fine production values, a dry sense of humor throughout, literate script, decent casting (Assante transcends his usual "heroics" and plays a crumbling soul nicely and Cross is always workmanlike and solid), and, slyly, the film (as the book did) finally gives Nietzsche credit for inventing modern psychoanalysis (since Freud, et al, in the field stole from his works outrageously and lavishly, without assigning him the proper credit for his startlingly original insights into the world-historical human, all too human capacity for self-deception).

A tough work for an adaptation, but this movie succeeds where something like "Freud" dismally collapsed into timid clichés.

Nietzsche would have gotten many a devilish laugh out of this work's visual craftiness.

And appreciated being treated, not as a cartoon "Overman" idol, but a struggling, flawed, tragic-comically-profound human.

"Ecce Homo", his anti-"autobiography" warned those who followed not to take him too seriously.

If this film stimulates a few people to pick up his "Joyful Wisdom" (La Gaya Scienza) or "Dawn", it will have made its honorable point.

Yalom was, in essence, giving Nietszche a posthumous brother's embrace for his loneliness and struggle and brilliance and scorn and lack of recognition while he lived.

This movie does the same.

To a guy, who, friendless and abandoned and ignored through much of his writing life, still affirmed the Universe and humanity in the words:

"Man would rather have the Void for a purpose than be void of purpose." -F.N.

Worth a viewing.


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