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When Nietzsche Wept (2007)

PG-13 | | Drama | 2 August 2007 (Israel)
Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

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, (novel) (as Irvin Yalom)
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Cast

Credited cast:
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Mathilda
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Bertha (as Michal Yanai)
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Lou Salome
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Frau Becker
Yzhar Charuzi ...
Hush Man
Ilan Charusi ...
Carmen Barman
Tal Fructer ...
Girl by Pianist
Silvia Terzieva ...
Mrs. Fiefer
Ivaylo Brusowski ...
Mendel Fiefer
Rest of cast listed alphabetically:
Axl Brusberg
Ventsislav Slavov ...
The Father of Josef
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Storyline

Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

Plot Summary | Plot Synopsis

Taglines:

We Are More In Love With Desire Than The Desired

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Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and some thematic material | See all certifications »

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2 August 2007 (Israel)  »

Also Known As:

El día que Nietzsche lloró  »

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1.85 : 1
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Did You Know?

Quotes

[first lines]
Lou Salome: [writing a letter] Dr. Breuer, I must see you on a matter of life or death. Meet at nine tomorrow morning, at the Cafe Rousse.
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Soundtracks

Barber of Seville- Largo Al Factotum
Composed by Gioachino Rossini
Courtesy of 5 Alarm Music
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The birth of psychoanalysis
9 August 2008 | by (United States) – See all my reviews

Josef Breuer and Sigmund Freud did work together and they did collaborate on a book about Anna O, who was most likely Bertha. Lou Salome did have relationships with Nietzsche and Freud and many others. All of these things are true.

But, Breuer did not treat Nietzsche. That is in the author's (Irvin D. Yalom) imagination, and what a great imagination it was. The story makes a super philosopher seem human, with frailties that we all suffer. It also makes for an interesting story of how psychoanalysis came about. I can imagine that it really did develop this way as Breuer and Feud discovered what worked and what didn't. We see free association or "chimney sweeping" as Bertha called it, we certainly see transference, and much more as the discipline developed.

Ben Cross was excellent, Armand Assante gave the best performance I have ever seen from him, Jamie Elman let us see Feud as a young man, Katheryn Winnick certainly makes me want to see her again, and Michal Yannai was delightful.

A great period piece that will delight all who care about philosophy and psychology.


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