After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love. Written by
Twentieth Century Fox
In setting up the sex scenes, the actors were encouraged to improvise, but with their clothes on. Edward Zwick says that it is "colder" on a set because there are people all around, the camera, and other distractions. Therefore, the improvisation was useful in setting the scenes and shots for the actual shoot. See more »
When Jamie is chasing after the bus the license plate on his car is California plates yet he is suppose to be living in Philly. See more »
Jake Gyllenhaal and Anne Hathaway deliver inspiring, charismatic and dimensional performances in Edward Zwick's latest directorial venture. The film, like the performances, arcs from shallow objectives and arguably questionable behaviors to capturing the essence of love. It's the classic tale of boy meets girl except as Maggie (Hathaway) puts it, "...this isn't about connection for you, this isn't even about sex for you. This is about finding and hour or two of relief from the pain of being you, and that's fine with me because all I want's the exact same thing." Maggie's quote is perhaps the single most foreshadowing moment that will cause their parallel paths to intersect, putting forth a moving story of human compassion and love. Jamie (Gyllenhaal) is intent on becoming the most successful sales rep for the pharmaceutical giant, Pfizer. His aspirations are simple; sex, the Viagra account, and getting to Chicago. Maggie's objectives are a bit different. While she too is intent on the escapism she finds in sex, it's subtly presented that her goal is to be an artist - a goal that may be no longer achievable. What transpires is a character arc for each person and the realization that meaningless sex may have led to the ultimate human goals of companionship and love.
'Love and Other Drugs' is a nicely told story that keeps you laughing and hoping but will ultimately leave a tear in your eye. It exudes, to perfection, human emotion and leaves you feeling the reality of the situation and of each character, while doing its best to present a diagnosis with antidepressants and Viagra. It's cinematically beautiful and nicely paced to deliver a stand-out film containing all the chemistry Gyllenhaal and Hathaway had in years prior while filming 'Brokeback Mountain'. Acting is where the film garners much of its success through beautiful nuances, flawless delivery and strong eye contact. It leaves you hoping for the future, of both Maggie and Jamie and of a reuniting of Gyllenhaal and Hathaway.
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