After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love. Written by
Twentieth Century Fox
Lawyers for both principals prepared documents about how much nudity the film would show. In the end, though, Edward Zwick simply pledged that there would be nothing in the film with which they were not comfortable. See more »
When Jaime and Maggie are eating cereal on the couch and Jaime is telling her the story about his report card, he is eating out of a box of "corn flakes", but he is eating cheerios out of his hand. Likewise, Maggie is eating cheerios out of her bowl. See more »
I used to worry a lot about who I'd be when I grew up. You know, like how much money I'd make or, umm, like some day I'd become some big deal. Sometimes, the thing you want most doesn't happen. And sometimes, the thing you never expect does. Like giving up my job in Chicago and everything and deciding to stay and apply to med school. I don't know. You meet thousands of people and none of them really touch you. And then you meet one person and your life is changed... forever.
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It's very difficult to give a higher rate to this movie. It's supposed to be presented as a different romantic comedy, yet, it's the same old story that bores to death. The promiscuous irresponsible guy ('cause men are always like that) and the promiscuous irresponsible girl (she's just that way 'cause she has a broken heart, 'cause women are never like that) played by Gyllenhall and Hathaway are just not convincing. Their respective friends -his loser brother and her gay black friend (sounds familiar?) are just useless for the plot.
The "originality" is in the "dramatic" story of Hathaway's character and the 90's background, with its medical consumerism and the negotiation with the health system. Yet this two aspects, perhaps the less bad things of the film, are poorly treated in the script. Such a bad cinematographic experience. The movie is not only bad, is not even funny!
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