| Fotos (Alle 5 | Diashow) |
| Episode-Mannschaft |
Regie | |||
| Quentin Tarantino | |||
Buch | ||
| Michael Crichton | (creator) | |
| Lydia Woodward | writer | |
Produktion | |||
| Michael Crichton | .... | executive producer | |
| Robert Nathan | .... | co-executive producer | |
| John Wells | .... | executive producer | |
Originalmusik | |||
| Marty Davich | (as Martin Davich) | ||
Casting | |||
| John Levey | |||
| Kevin Scott | |||
Kostüme | |||
| Lyn Paolo | |||
Maske/Frisuren | |||
| Rolf John Keppler | .... | makeup effects co-department head | |
Ton Stab | |||
| James Bailey | .... | foley artist | |
| Russell C. Fager | .... | production sound mixer | |
| Walter Newman | .... | supervising sound editor | |
| Troy Porter | .... | adr mixer | |
Spezialeffekte | |||
| Scott Forbes | .... | special effects coordinator | |
| Bob Turk | .... | special effects | |
Kamera und Elektrik (Stab) | |||
| Amy H. Abrams | .... | assistant camera | |
| Pat Campea Jr. | .... | key grip | |
Kostüm und Garderobe (Stab) | |||
| Radford Polinsky | .... | set costumer | |
Musik (Stab) | |||
| James Newton Howard | .... | composer: theme music | |
Restlicher Stab | |||
| Ran Barker | .... | administrator | |
| Bill McCamey | .... | unit nurse | |
| Mary Tallman | .... | script supervisor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Regie | |||
| Brett Fallis | |||
Buch(In alphabetischer Reihenfolge) | ||
| Michael Crichton | creator | |
Produktion | |||
| Tommy Burns | .... | co-producer (2002) | |
| Yahlin Chang | .... | co-producer (2004) | |
| Samantha Howard Corbin | .... | co-producer | |
| Michael Hissrich | .... | associate producer | |
| Dee Johnson | .... | supervising producer (2000-2001) | |
| Mimi Leder | .... | co-executive producer (1994-1995) | |
| Bruce Miller | .... | producer (2003) | |
| David Mills | .... | co-producer | |
| Chris Misiano | .... | producer (2000-2001) (as Christopher Misiano) | |
| Tom Park | .... | producer | |
| Joe Sachs | .... | co-producer (2000-2001) | |
| Janine Sherman | .... | co-executive producer (2005) | |
| Vicki Voltarel | .... | associate producer (1996-2000) | |
| David Zabel | .... | co-producer (2003) | |
| Lisa Zwerling | .... | co-producer (2005) | |
Originalmusik | |||
| Christopher Neal Nelson | |||
Kamera | |||
| Jamie Maxtone-Graham | (1 episode 2005-2006) (4 episodes 2004-2005) | ||
Schnitt | |||
| Rick Tuber | |||
Casting | |||
| Mary V. Buck | |||
Bauten/Dekorationsbau (art directors) | |||
| Stephanie Girard | |||
| John Hansen | |||
Maske/Frisuren | |||
| Gandhi Bob Arrollo | .... | key makeup artist (1995-2002) | |
| Rita Bellissimo | .... | key hair stylist (2000-2001) | |
| Chelo | .... | hair stylist: Chicago | |
| Chelo | .... | makeup artist: Chicago | |
| Jeanean-Lorrece Eldridge | .... | key hair stylist | |
| Tony Gardner | .... | animatronic baby effects | |
| Lee Grimes | .... | special makeup effects artist: Florida | |
| Jerry Gugliemotto | .... | key hair stylist (1997-2001) | |
| Rob Hinderstein | .... | makeup artist | |
| Lun Yé Hodges | .... | key hair stylist: Chicago | |
| John Inzerella | .... | key makeup artist (1994-1995) | |
| Werner Keppler | .... | makeup artist | |
| Julie Kristy | .... | key makeup artist | |
| Lisa Meyers | .... | key hair stylist (season 9) | |
| Marsha Shearrill | .... | makeup artist: Chicago | |
| Mike Smithson | .... | special makeup effects artist | |
| Rick Stratton | .... | makeup artist (1994-1995) | |
| Solina Tabrizi | .... | key hair stylist | |
| Brian A. Tunstall | .... | key hair stylist (2002-) | |
| Jamie Sue Weiss | .... | key makeup artist: Chicago | |
| Buffy Zerefski | .... | assistant makeup artist (1995-1997) | |
| Janice Zoladz | .... | hair stylist | |
| Leo Corey Castellano | .... | special makeup effects artist (uncredited) | |
| Steve LaPorte | .... | makeup artist (2001-2002) (uncredited) | |
Produktionsleiter (production managers) | |||
| Michael Attanasio | .... | unit production manager (1999) | |
| Jules Berk | .... | post-production supervisor | |
| Tommy Burns | .... | unit production manager (2000-) | |
| Cédric Fréni | .... | assistant unit manager | |
| Vicki Voltarel | .... | post-production supervisor (1994-1996) | |
Ausstattung (Stab) | |||
| Erin J. Beverly | .... | art department assistant/coordinator | |
| Mike Brooks | .... | propmaker | |
| J.C. Brown | .... | concept art | |
| Jim Gmuer | .... | set dresser | |
| Joaquin Navarro | .... | set designer | |
| Dorit Oberman | .... | buyer (2002-2004) | |
| Harry Perry III | .... | art department coordinator (2000-2002) | |
| Timothy W. Tiedje | .... | property master: Chicago | |
Spezialeffekte | |||
| Shea Clayton | .... | special photographic effects | |
| Andy Clement | .... | surgeries and animatronic effects | |
| Tony Gardner | .... | animatronics | |
Visual Effects | |||
| Louis Bravo | .... | visual effects editor | |
| Patrick M.J. Finerty | .... | model maker | |
| Darren Frankel | .... | VP, post production: Stargate Digital | |
| Eric Grenaudier | .... | visual effects supervisor | |
| Martin Halle | .... | visual effects | |
| Josh Hatton | .... | CG supervisor | |
| Kyle J. Healey | .... | visual effects supervisor (season 10) | |
| Sid Jayakar | .... | digital compositor | |
| Kent Johnson | .... | visual effects producer (season 10) | |
| Steve Kullback | .... | visual effects producer (episode 8 & 10, 2000, 2001) | |
| Kurt McKeever | .... | digital effects artist | |
| Scott Milne | .... | visual effects supervisor | |
| Sean Mullen | .... | digital rotoscoping | |
| Anthony Ocampo | .... | digital artist | |
| Victor Scalise | .... | visual effects editor | |
| Maryam Sharifi | .... | digital compositor | |
| Jaison Stritch | .... | 3D visual effects supervisor | |
| Cedric Tomacruz | .... | matte painter | |
| John Vassallo | .... | digital effects artist (multiple episodes) | |
| Peter V. Ware | .... | visual effects producer | |
| Peter V. Ware | .... | visual effects supervisor | |
| Doug Witsken | .... | digital compositor | |
Stunts | |||
| Jennifer Badger | .... | stunt performer | |
| Jeffrey G. Barnett | .... | stunts | |
| Dan Brown | .... | stunt rigger | |
| Chris Carnel | .... | stunt double: Noah Wiley | |
| Jonathan Eisley | .... | stunt performer (multiple episodes) | |
| Mark Harper | .... | stunts | |
| Toby Holguin | .... | stunts | |
| Zach Hudson | .... | stunt double: Shane West | |
| Cinda-Lin James | .... | stunt double | |
| Kim Robert Koscki | .... | stunt coordinator (2 episodes) | |
| Krista Lewis | .... | stunt double | |
| Tina Mahler | .... | stunt double | |
| Dailyn Matthews | .... | stunt performer | |
| Gloria O'Brien | .... | stunt double: Alex Kingston | |
| Chris O'Hara | .... | stunt performer | |
| Heidi Pascoe | .... | utility stunts | |
| Nicole Randall | .... | stunts | |
| Christie Sanders | .... | stunt double: Linda Cardellini | |
| Rick Sawaya | .... | stunts | |
| Tony Snegoff | .... | stunts (multiple episodes) | |
| Aliza Washabaugh | .... | stunt double | |
| Katie Winslow | .... | stunts | |
Animation | |||
| Brian Bero | .... | animatronic baby effects | |
| Mark Rappaport | .... | animatronic baby effects | |
Casting (Stab) | |||
| Clint Alexander | .... | casting assistant: New York (season 11) | |
| Gretchen Husting | .... | extras casting assistant: Chicago | |
| Sara Isaacson | .... | casting associate | |
| Nadia Lubbe | .... | casting associate: New York | |
| Scout Masterson | .... | casting associate (2000-) (as Mike Wallock) | |
| Joan Philo | .... | extras casting: Chicago | |
| Mark A. Ridge | .... | extras casting: Chicago | |
Kostüm und Garderobe (Stab) | |||
| Gloria Coffey-Sharrieff | .... | wardrobe supervisor: Chicago | |
| Shanna Gold | .... | costumer (2000-) | |
| Gina Marie Ome | .... | on-set costumer: Chicago (1998-2005) | |
| Gina Marie Ome | .... | set costumer: Chicago | |
Schnitt (Stab) | |||
| Joseph Braun | .... | post-production intern | |
| Stacy Chess | .... | post-production intern (last two seasons) | |
| Tricia Fass | .... | assistant editor (2002) (as Tricia Holly Fass) | |
| Mitchell Ferm | .... | post-production assistant | |
| Karen Dale Greene | .... | assistant editor | |
| Tamara Isaac | .... | post-production coordinator | |
| Robin Maybin Hensley | .... | post-production coordinator | |
| Aimee Roth | .... | post-production assistant (season 10) | |
Musik (Stab) | |||
| John Cevetello | .... | music mixer | |
| Mike Deasy | .... | musician | |
| Georg Brandl Egloff | .... | composer: additional music | |
Transporte | |||
| Michael Dawes | .... | driver | |
| George A. Miki | .... | driver | |
| Leroy Reed | .... | transportation coordinator | |
I must confess, I'm not an avid, or even really regular, viewer of ER. A few episodes sometimes stick out that I have seen, a few really indelible images (i.e. there's one episode, which I can't totally recall, that has a woman with a bug in her ear that creeped me out intensely). But as with CSI, another show I'm not very keen on, I decided to check out a specific episode based most of all on a credited director- Quentin Tarantino in this case. Amid the big frenzy over Pulp Fiction, he got offers all over the place, and this was one of them that he took on, as he "put on the scrubs" QT himself called them, and also in a very rare case took the helm as director and not (also) as writer of the episode. This episode starts off quite intensely with, what else, a woman on the verge of delivery of her child. Right away some of that Tarantino edge comes in with the hand-held style, and while it obviously isn't there, one could guess if this weren't a network show it would be cursing galore.
The episode then unfolds with some of the character drama unfolding, but for the most part it's really focused on two things- a big helping of some head-rushing, manic hospital work on some wheeled-in-right-away patients, and on pregnancy and giving birth and such. There's even a bit of tenderness towards the latter part of the episode, which might come to be expected with the title. But those who, like me, will seek out the episode for likely QT trademarks wont be too disappointed. He does stick with the main form of the show, and if one didn't know he directed it it might be seen as usual- though above average usual- ground being covered. The hindsight does trigger some grins during the episode at the recognition of certain things, like the shots that track along (I remember there's one scene where the camera goes from one conversation to another, almost no cuts really between the two). And the aforementioned big ER scenes are a bit bloody and almost veering to the over the top. It didn't surprise me it made it on TV, but the intensity of the cuts and the action kept things going along quite well.
In short, an obscure little treat for fans of QT, and for fans of the show it provides equal doses of regular-character drama and pathos on mothering and delivery-room semantics.