Regie | |||
| Andy DeEmmony | (as Andy de Emmony) | ||
Buch(In alphabetischer Reihenfolge) | ||
| Martyn Hesford | written by | |
Produktion | |||
| Angie Daniell | .... | associate producer | |
| Ben Evans | .... | producer | |
| Richard Fell | .... | executive producer | |
| Sally Woodward Gentle | .... | executive producer | |
Originalmusik | |||
| Nick Green | (as Norwell & Green) | ||
| Tristin Norwell | (as Norwell & Green) | ||
Kamera | |||
| David Odd | (director of photography) | ||
Schnitt | |||
| Stephen O'Connell | |||
Casting | |||
| Kate Rhodes James | |||
Szenenbild | |||
| Janice Flint | |||
Bauten/Dekorationsbau (art directors) | |||
| Keith Slote | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Steve Oakes | |||
Kostüme | |||
| Caroline Pitcher | |||
Maske/Frisuren | |||
| Helen Barrett | .... | hair designer | |
| Helen Barrett | .... | makeup designer | |
| Nichola Bellamy | .... | makeup artist | |
| Polly Fehily | .... | makeup artist (as Polly Fehilly) | |
| Liz Hardiment | .... | makeup artist | |
Regieassistenten | |||
| Bernard Mavunga | .... | third assistant director | |
| Sophia Ollins | .... | second assistant director (as Sofia Olins) | |
| Alex Rendell | .... | first assistant director | |
Ausstattung (Stab) | |||
| Laura Conway-Gordon | .... | art department assistant | |
| Tanya Miller | .... | stand-by art director | |
| Steve Oakes | .... | production buyer | |
| Ewan Robertson | .... | prop master | |
| James Thurston Waterworth | .... | art department assistant | |
Ton Stab | |||
| David Lascelles | .... | sound recordist | |
| Tarn Willers | .... | boom operator | |
Kamera und Elektrik (Stab) | |||
| Geoff Burden | .... | best boy | |
| Tash Gamper | .... | clapper loader | |
| Ian McLoughlin | .... | grip | |
| Chris Samworth | .... | focus puller | |
| Tim Wiley | .... | gaffer | |
Casting (Stab) | |||
| Andy Morgan | .... | casting associate | |
Kostüm und Garderobe (Stab) | |||
| Jane Batt | .... | wardrobe supervisor | |
| Billy Kimberley | .... | costume stand-by (as Bill Kimberley) | |
Schnitt (Stab) | |||
| Aidan Farrell | .... | colorist | |
Restlicher Stab | |||
| Penny Appelbe | .... | production runner | |
| Simon Davison | .... | floor runner | |
| Sunny Dimitriadou | .... | script supervisor | |
| Penny Dyer | .... | dialect coach | |
| Ian Ellis | .... | location manager | |
| Mark Ellis | .... | assistant location manager | |
| Katie Harris | .... | floor runner | |
| Howard Kingston | .... | production executive | |
| Felix Levinson | .... | floor runner | |
| Frances Pardell | .... | publicist | |
| Jane Record | .... | picture publicity | |
| Karen Vicary | .... | production accountant | |
| Juliette Woodcock | .... | production coordinator | |
| Recent Posts (updated daily) | User |
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| Besetzung und Stab | Beteiligte Firmen | IMDb Biographie section |
| IMDb UK section | Add this title to MyMovies |
I saw this very emotionally painful portrayal and it was fascinating. The conflict between the public and private faces of Williams and the pressure he was under is illuminated in a way that even those who knew something about him would be surprised. The cast acted superbly, but Michael Sheen was outstanding. I only realised it was him when I saw the earlier comment. He looks completely physically different in this role, from any other role I have seen him in or as himself. Williams autobiography differs markedly from his diaries,as represented in this film. The film is at times distressing to watch, because of the emotional anguish displayed. However, it is a worthwhile experience and a film that can be recommended highly.