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Disturbia (2007)

PG-13 | | Drama, Mystery, Thriller | 13 April 2007 (USA)
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A teen living under house arrest becomes convinced his neighbor is a serial killer.

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(screenplay), (screenplay) | 1 more credit »
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1,941 ( 57)
4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Brandon Caruso ...
Luciano Rauso ...
Daniel Caruso ...
Kevin Quinn ...
Mr. Carlson
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Mrs. Carlson
Suzanne Rico ...
News Anchor
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News Anchor
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Storyline

After his father is killed in a car accident, things unravel for Kale Brecht and he is placed under house-arrest for punching his Spanish teacher. Having nothing better to do, Kale occupies himself by spying on his neighbors. But one night, he witnesses what appears to be a murder going on in Mr. Turner's house. Kale becomes obsessed with uncovering the truth behind these murders but, after a few unsettling run-ins with Mr. Turner, it becomes a matter of life and death. And the ominous question: Who is watching whom? Written by O.G.

Plot Summary | Plot Synopsis

Taglines:

The quieter the street, the darker the secrets.... See more »


Motion Picture Rating (MPAA)

Rated PG-13 on appeal for sequences of terror and violence, and some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

13 April 2007 (USA)  »

Also Known As:

Paranoia  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$22,224,982 (USA) (13 April 2007)

Gross:

$80,050,171 (USA) (27 July 2007)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Carrie-Anne Moss shot this movie approximately five months after she gave birth to her second child. See more »

Goofs

When Kale sticks the lamp into the compartment that had the first victim's head in plastic, the light shown on the wall as if it were a flashlight, but the light was merely a lit lamp. See more »

Quotes

[first lines]
Kale: Do you think he sees us?
Daniel Brecht: No, he can't see us. But trust me, he can feel us watching.
See more »

Connections

References The Shawshank Redemption (1994) See more »

Soundtracks

Because I Got High
Written by Afroman (as Joseph Foreman)
Performed by Afroman
Courtesy of Uptown/Universal Records
Under license from Universal Music Enterprises
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User Reviews

 
Coffee and donuts…Disturbia
13 April 2007 | by (buffalo, ny, usa) – See all my reviews

I understand that the new movie Disturbia is about a person who is unable to leave his room and must look out the window for entertainment. During his peeping sessions, he finds that his neighbor might be a killer and by doing so, tries to get everyone around him to help find out the truth. That premise, and that premise alone, is the ONLY thing that likens this movie to Alfred Hitchcock's masterpiece of tension and technical genius, Rear Window. Director D.J. Caruso has taken this script, no credit listed to the writers of that classic, and created a contemporary world around which he can create a cat and mouse chase from the small radius that our protagonist is allowed to travel within having a house arrest anklet affixed to his leg. If the critics are to be believed that this is a ripoff/remake, then every romantic comedy coming down the pipeline is one as well. Boy meets girl, boy must win girl, conflict causes relationship to stay strained, boy ultimately wins girl. Actually since every rom-com follows that exact plot sketch, they are more derivative than Disturbia to Rear Window because Caruso takes a premise, updates it, and makes it his own.

Worried that this might end up as another lame duck attempt from the director, I didn't have too lofty of expectations. I am a fan of Shia LaBeouf, ever since his "Even Stevens" days, and knew he could give it credibility. Fortunately, after the highly disappointing Taking Lives and the ho-hum Two for the Money, it seems Caruso has come back to the form he had with his brilliant debut Salton Sea. Maybe it was the recent work on "The Shield," but we have some nice grit, close-up composition, and stylish camera-work. The realism from Sea is back and Disturbia brings it all to make one of the most entertaining films I've seen this year. We have fantastic humor—LaBeouf's delivery and everyman rapport lends to this well—as well as effective scares and edge of your seat suspense. This is a PG-13 movie that knows what it is and rather than titillate with coming as close to the line as possible, stays in check and deals out a healthy dose of mood and emotion rather than blood and sex. I'd even go as far as saying Sarah Roemer's girl-next-door is the most sensual role this year. It is all about her confidence and eyes, her body language makes it work, and you fall for her just as LaBeouf does, whereas the usual R-rated nudity and over the top craziness has been going so far as to numb audiences by doing what every film now does. Credit Caruso for showing restraint for everything and leading us along by uncovering pieces of the story only when we need to know them.

Besides LaBeouf, Roemer, and a funny turn from Aaron Yoo, the main driving force here is David Morse. This gem of a character actor is at the top of his game as the villainous, did he or didn't he, neighborhood serial killer. He is good as the conflicted heavy who does wrong only when the world around him has forced him to, (like in Dancer in the Dark and Down in the Valley), but he is perfect as the all out creepy, sly-smiling force being accused of kidnapping and killing numerous women. Morse was allowed to run free and he took the opportunity and went even further with it. Where many suspense films like this would become laughable eventually, the realism brought out through LaBeouf and Morse keep the audience enthralled and interested in how everything will play out. I was never bored and at times actually wondering what would happen next because I was so caught up. When the climax comes, I actually was surprised thinking it was crazy that they would get us there so early, but I was just so into it that I didn't realize how much time had past.

Disturbia is a genre film and won't be winning any awards any time soon. What it may lack in total originality it more than makes up for in mood and effective thrills. It had everything you could want from a movie without making you have to think too much. Sit down, go for the ride and walk out of the theatre with the knowledge that your time was well spent. D.J. Caruso, thank you for redeeming yourself.


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