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"Nightmares and Dreamscapes: From the Stories of Stephen King" (2006)

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27 out of 35 people found the following comment useful :-
Does Everything That Hollywood Doesn't to a Stephen King Story., 12. Juli 2006

Author: Evil_Magus von United States

Just to avoid any possible confusion, the above summary of Nightmares and Dreamscapes is a compliment. I cannot tell you how many times I've seen Hollywood completely decimate and almost sacrilegiously destroy King's brilliant writing. Needful Things and The Runningman are the worst of these atrocities, although they are far from the only ones. The remake of Carrie... the sequel that has nothing to do with King's novel... The Lawnmower Man (Which King sued to be disassociated from)... Christine... among others.

This mini-series, however, does justice to King's works, and treats them with the respect that they deserve. The acting is incredible. I can hardly believe that they were able to get William H. Macy, William Hurt and the majority of the other actors and actresses that they did manage to get for the project. Each is casted perfectly for their role, from the well-known stars to the little known gems. The direction is smart and clean; the set designs stunning; the animation (Battleground) superb, and the adaptations flawless. Each episode perfectly embodies the story from which it was based off of, and I cannot find any flaws in their translation into this mini-series.

I find it ironic that some of the upcoming episodes don't feature stories from the actual collection Nightmares and Dreamscapes, although I suppose that they mean the title as a general one, as opposed to a specific one. At any rate, they were all well chosen, and I hope that more adaptations of King's work fall under this level of care and craftsmanship. I don't even mean novels specifically. I hope that ALL of his stories are likewise adapted as such, although I would indeed love seeing more adaptations of his short stories done this way (Especially "All That You Love Will Be Carried Away" and "In the Death Room").

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11 out of 16 people found the following comment useful :-
Battleground Was Fantastic, 14. Juli 2006

Author: whpratt1 von United States

The beginning of this film held my interest because William Hurt,(John Renshaw),"Body Heat", makes a bad mistake with a CEO of a large Toy Manufacturing Company. Apparently, John Renshaw is a sort of high class hit man and paid very well for his services, because his apartment suite is out of this world with a large indoor pool and more than the comforts of the average person. As John sits back and has a nice cocktail and enjoys having accomplished one of his tasks, he is taken by surprise and his entire life is completely changed. John becomes trapped in his own world and almost feels like he has been in an actual battlefield. Great story by Stephen King and I look forward to more of this Mini-Series.

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14 out of 22 people found the following comment useful :-
Exit Reality and Enter The Mind of Stephen King. The Nightmares and Dreamscapes of Stephen King., 13. Juli 2006

Author: SilentBob417 von United States

*** This comment may contain spoilers ***

Nightmares and Dreamscapes is a total of 8 stories each are an hour of odd encounters and events. Episodes based on stories from the Nightmares and Dreamscapes collection are "Umney's Last Case", "You Know They Got a Hell of a Band", "The End of the Whole Mess", "The Fifth Quarter", and "Crouch End". The balance of episodes are adaptations of "The Road Virus Heads North", and "Autopsy Room Four", collected in Everything's Eventual: 14 Dark Tales and, "Battleground", from the anthology Night Shift.

The show is currently on TNT showing 2 episodes a night on Wednesday Nights at 9:00 p.m. And 10:00 p.m. with an encore of the previous nights episodes on Thurdays nights at 11:00 p.m. And 12:00 p.m.

/Battleground\ Jason Renshaw (Hurt), a professional hit man, Successfully murders the CEO of a prestigious toy company, only to face the biggest fight of his life when a package from the toy company is delivered to his house with surprising, deadly contents.

/Crouch End\ A newlywed American couple (Bailey and Forlani) honeymooning in London goes to Crouch End to have dinner with a friend. They soon learn the town is not what it appears to be, and the more they get lost, the more they become trapped in another dimension

/Umney's Last Case\ After the death of his son, writer Sam Landry (Macy) is so desperate to lead another life, he writes himself into his own book, forcing his long-time character (also played by Macy) to change places with him and live in the modern day. But things get deadly when Landry realizes Umney is trapped and cannot write himself out of his new reality.

/The End of the Whole Mess\ The world had changed. Violence, war and hatred have been replaced with kindness, peace and love. But at what price? Renowned filmmaker Howie Fornoy (Livingston), with just one hour to live, recounts the details of his brother's (Thomas) worldwide experiment gone terribly wrong.

/The Road Virus Heads North\ Richard Kinnell (Berenger) is a famous writer who, at a doctor's visit, learns he may soon have to deal with his own mortality. On the drive back to his home, he buys a mysterious painting. Each time he looks at it, it changes to become more menacing and sinister. He pieces together that the painting is trying to kill him…but not if he can destroy it first.

/The Fifth Quarter\ Willie (Sisto), a just-released convict, learns from his dying friend of a map in four parts that reveals the location of several million dollars from a robbery. Seeking revenge for the death of his friend and the money, as well, Willie hunts down the others who hold the remaining three parts to the map, risking his family and his freedom.

/Autopsy Room Four\ Businessman Howard Cottrell (Thomas) is on vacation playing one of his many games of golf. Chasing the ball into the undergrowth, he is bitten by a snake and completely paralyzed, showing no signs of life. At the hospital, unable to communicate, he is the key witness to his own autopsy.

/You Know They Got A Hell of a Band\ A wrong turn on a lonely road turns frightening for Clark and Mary Willingham (Weber and Delaney) as they stumble upon a town not on any map - Rock and Roll Heaven, Oregon. There is a free concert every night, but the price of admission is high - once the audience enters, it can never leave.

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7 out of 9 people found the following comment useful :-
Jumbo-Sized Adaptation Of King Junk Food, 21. Juli 2006

Author: Sandoz von United States

*** This comment may contain spoilers ***

The majority of Stephen King's short stories are little gems, with original ideas that don't take a long time to develop; basically lean and mean--he sets them up quickly in a scarce number of pages, you read 'em, and you're finished before you know you've begun. They're like the equivalent of a carton of McDonald's fries--they taste Really good and you know there's not much nutritional value in them (re: from a literary standpoint, they don't say much about the universal human condition), but you're still gonna scarf 'em down, just don't be a pig and go for the extra-super-sized portion and fill up on too much grease ("too much grease" is a metaphor for the prose in King's novels when find yourself reading one of them and saying come on--enough with the pop-cultural observations or clever Yankee asides--get on with the story already!) He has compiled four books of short story collections. I've read them all--from NightShift to the latest, Everything's Eventual, and they all display an efficiency of getting-to-the-point which is sometimes sorely lacking in his tome-sized novels.

But his short stories never overstay their welcome...which brings us to the TV adaptations of Nightmares And Dreamscapes...

How in the hell did they (the series' producers) get a green-light to turn stories that usually averaged 15 pages into 50 minute episodes? I'll tell you how--two words--"Stephen King." Stories with his name on them probably didn't come cheap, and one hour shows enable more advertising than half hour ones, so...what should have been an anthology of mostly 23 or 24 minute episodes is turned into double that length, and double the commercial time...Ka-Ching!

I'm not going to waste time synopsizing the plots of these stories--this review supposes you have already read the stories and/or seen the show; what follows is merely my gut reactions to what TNT presented... Of the four installments so far, here's my ten cent assessment (from first to worst):

Battleground-- Not a classic by any means, but hey, how could anyone argue with keeping William Hurt from opening his trap by filming this episode without a single line of dialog? And the tongue-in-cheek reference and destruction of the killer Zuni doll from Trilogy Of Terror proved to me the producers (and the writer of the teleplay, who is Richard Matheson's son--the writer of TOT) knew their mission with this one was to make the action deadly, yet at the same time, fun. It took longer to get to Hurt's apartment than it should have, but I think it fulfilled it's objective. 8/10

Umney's Last Case-- Liked this one primarily because of William H. Macy's performance. I think the writer/Umney should have appeared in the story sooner into the private eye/Umney beginning because he was the actual reality of the story, and anyone familiar with the King short story (probably half, if not more of the audience) knew the Chandleresque set-up was due to get interrupted by the writer's reality, so let's get on with it already, and cut-out the cute and clever hard-boiled repartee' Private Dick banter already. Once the writer/Umney's family tragedy began to reveal though, I thought the show developed an emotional connection that made the viewer (me, at least), feel sympathy for the real-life Macy's attempt to escape his sorrows by usurping his fictional creation's exciting life. 6/10

The End Of The Whole Mess-- Uh, this title is how I felt about this episode when it was over. After twenty minutes, I was ready to scream at the TV--OK, we get it already, the younger brother is a Mega Mensa Genius Prodigy Extraordinaire! We know from Ron Livingston talking to the camera ("time is running out for me"--not fast enough, I thought) that the young whiz kid is going to discover something really bad for humanity--we know this because he's already built an airplane but almost died because he couldn't steer it out of the path of a tree; and, he blew up his chemistry lab while teaching himself chemistry (to think the end of the world could have been prevented if only this kid had some more parental supervision). So much time was wasted on establishing the uber-genius of Henry Thomas, when we finally get to the resolution of his discovery--the end of the world through unintended idiocy--how much do we get to see of the world "ending?"--a cheap video shot of a reporter starting to forget what she's reporting on, and brief radio broadcasts announcing the day of judgement is at hand. Oh, and the brother's parents drooling and singing old songs. My point is, if your story is really about the "end of the whole mess (world)", I wanna see the "mess" as it goes up in flames and crashes and burns. Talk about ending with a whimper, indeed. 2/10

Crouch End-- This episode just ticked me off totally. I could have lived with the taking-forever exposition of the happy couple arriving at their hotel, playing slap-and-tickle, having lunch, and getting a taxi (that was half the episode right there), if once they finally crossed-over into Crouch End the episode delivered the chills, but it failed miserabley. Not only wasn't it scary, it was practically laughable. Ooh, look--a kitty...wait, it turns...oh my god! Look at it's scary eye! Uh-huh. They could have gone a long way towards filming the Crouch End sequence at night instead of in daylight, too. Things you might unintentionally find funny can become scarier when you see them in the night shadows. But I guess the budget wasn't high enough to shoot at night on the fake London sets they slapped together for this one. On the page, this is a very scary story about tourists wandering into places they shouldn't and the terrible things that might lurk just around a corner there. The only terror in this adaptation was the directing and acting--those were truly horrifying. 1/10

Overall Series Average (so far): 4/10

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8 out of 12 people found the following comment useful :-
Nightmares & Dreamscapes: From The Stories of Stephen King..., 7. November 2006

Author: sternn01 von Edmonton, Canada

1.] "The End of the Whole Mess" - Very well done. Spot on adaptation of a neat little story. Livingston's performance is perfect - heartfelt and desperate. Henry Thomas was good too.

2.] "Battleground" - When I first read this story (about 15 years ago) I thought it would make a great TV movie - not a feature film - but at the time, I didn't think the SFX of the day could pull it off. This was a pretty good effort though, and I loved the lack of dialog. Hurt is not too bad either.

3.] "You Know They Got a Hell of a Band" - Not bad adaptation. This was a good short story, one I always try to read when I pick up Nightmares & Dreamscapes.

4.] "Umney's Last Case" - Not bad story, Macy's performance pulled it off. I always wondered why the chose to adapt this one though, especially over some of Kings other classics.

5.] "Autopsy Room Four" - Again, great story, but the adaptation leaves a lot to be desired, and only because of the hokey performances, especially from Richard Thomas and Greta Scacchi.

6.] "The Fifth Quarter" - Good performance from Sisto, but again, why do this story over something like "Grandma" or "The Jaunte".

7.] "The Road Virus Heads North" - The only thing they got right was the painting. Everything else, including Berringer's performance, was cheesy.

8.] "Crouch End" - This was a good story, but the adaptation did not capture the creepy feel King brought out in the narrative. The performances were OK, and it started off on the right foot, but things quickly went south after they started wandering around the empty streets. I think director Mark Haber, just couldn't put his finger on what the point of that story was.

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10 out of 16 people found the following comment useful :-
First week excellent, second week a bit of a bore, 25. Juli 2006

Author: LindaM72 von United States

/1/ Battleground had great production values and excellent cast in William Hurt. The first half was slow but it made up for when the doo-doo hit the fan later in the movie.

/2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week.

/3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD.

/4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.

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3 out of 3 people found the following comment useful :-
top cast, rubbish adaptations,, 12. Januar 2007

Author: jonathan45 von United Kingdom

*** This comment may contain spoilers ***

The first episode set the bar quite high i thought. It starred William Hurt as a hit-man who is contracted to kill a toymaker. We are given very little information on his character or who is paying him to kill, indeed the episode is notable for having no dialogue at all. Returning to his modernist penthouse he is delivered a package containing toy soldiers, this gives him a smile but he dismisses it and goes about his business. But he is in for a night of hell, the soldiers are alive and are about to wage war, driving jeeps, shooting machine guns and bazookas and even flying helicopters!. The special effects are good for a TV show and it becomes quite tense as he dodges around the apartment using his wits to survive, sometimes getting the upper hand and other times not. I wont spoil the ending but suffice to say it was a clever little twist. This gave me hope for the rest of the series but i was in for a disappointment, the other episodes were all rubbish and i lost interest by the fourth one. Stephen King adaptations are always a mixed bag and these are no exception

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4 out of 5 people found the following comment useful :-
creepy, psychological fun/thought-provoking, 30. Juli 2006

Author: girlyB von California, USA

I have enjoyed all of the episodes I have seen with perhaps the exception of Crouch End, which lost me after about ten minutes. End of The Whole Mess was brilliant -- the direction and the writing were so, so good. Battleground has exquisite acting and I especially liked Road Virus Heads North --I found it mesmerizing, contemplative, and unsettling. It resonated with me far longer than the others I think because it is most like a real nightmare -- the really vivid kind that stays with you. The antagonist is unknown, not immediately indentifiable and unrelenting. I found it subtle and intelligent in its understanding of what is truly scary.

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3 out of 5 people found the following comment useful :-
The first four were expectedly good, and I can't wait to see the rest..., 24. Juli 2006

Author: Jackie Pratschner von United States

I will tell you what...I partially agree with the previous comment on the length of the shows. However, in the first show "Battleground" I felt that the utter lack of dialog added immensely to the tension, and although I was skeptical about how to animate the army men, I was incredibly impressed.

I didn't like "Crouch End" when I read it, so I wasn't anticipating liking the show, and I didn't. It was very long and unnecessarily melodramatic. I felt that they could have picked a comatose actress to play the lead and she would have been better. Not a big fan of the overly expressive actors. Play it down folks.

As for "Umney's Last Case", the show was a lot different than the story, but it was still a good piece. I don't know that I would've chosen William H. Macy as Umney (although he is a great actor, don't get me wrong).

"The End of the Whole Mess" was the most faithful adaptation of book to movie, but it also felt the longest of the four that I've seen. I was curious as to how they were going to show the depletion of the narrator, because in the book he was writing, and you could tell that he was slipping by the way that he spelled some words or had to break off in the middle of a sentence. I thought the video-camera was a nice touch.

I'm looking most forward to "You Know They Got A Hell of A Band" and I'm also very curious about "The Fifth Quarter", but if I had to guess, I think the best of the eight episodes will be "The Road Virus Heads North" only because from a literary standpoint, the visuals in that story are the most compelling.

I'm a huge fan of Stephen King's, and I will always watch any film or T.V. adaptation that he gets behind, but I am often of the persuasion that a movie takes away from some of the individuality and imagination of actually reading the book. Ever after, the re-reading of those stories will be tainted by certain actors that played certain roles, or changes in the movies will effect the way you read the books, and I find that to be kind of a shame.

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4 out of 7 people found the following comment useful :-
This King more like a Prince., 26. Juli 2006

Author: Jeff Coatney von United States

*** This comment may contain spoilers ***

Man, I really wanted to like these shows. I am starving for some good television and I applaud TNT for providing these "opportunites". But, sadly, I am in the minority I guess when it comes to the Cinematic Stephen King. As brilliant as King's writing is, the irony is that it simply doesn't translate well to the screen, big or small. With few exceptions (very few), the King experience cannot be filmed with the same impact that the stories have when read. Many people would disagree with this, but I'm sure that in their heart of hearts they have to admit that the best filmed King story is but a pale memory of the one they read. The reason is simple. The average King story takes place in the mind-scape of the characters in the story. He gives us glimpses of their inner thoughts, their emotions and their sometimes fractured or unreal points of view. In short, King takes the reader places where you can't put a Panavision camera. As an audience watching the filmed King, we're left with less than half the information than the reader has access to. It's not too far a stretch to claim that One becomes a character in a King story they read, whereas One is limited to petty voyeurism of that same character when filmed. For as long as King writes, Hollywood will try shooting everything that comes out of his word processor, without any regard to whether or not they should. I don't blame the filmmakers for trying, but it takes an incredible amount of talent and circumspection to pull off the elusive Stephen King adaptation that works. The task is akin to turning lead into gold, or some arcane Zen mastery. Oh well, better luck next time.

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