| Dirk Bach | ... | Bützje | |
| Marco Bretscher-Coschignano | ... | Tim | |
| Andreas Geiss | ... | Marcos Partner | |
| Sven Gielnik | ... | Kid 1 | |
| Brigitte Harrer | ... | Oma | |
| Benjamin Hartinger | ... | Frechdachs | |
| Doreen Jacobi | ... | Ann | |
| Paul Maaß | ... | Robert | |
| Oliver Masucci | ... | Killiak | |
| Adele Neuhauser | ... | Fr. Dr. Schaumberg | |
| Thomas Schmieder | ... | Steve | |
| Klaus Stiglmeier | ... | Schlegel | |
| Christian Tramitz | ... | Mitch | |
| Jennifer Ulrich | ... | Sara | |
| Marius Weingarten | ... | Kid 2 | |
| Anette Wunsch | ... | Britta |
Regie | |||
| Simon X. Rost | |||
Buch(In alphabetischer Reihenfolge) | ||
| Derek Meister | writer | |
Produktion | |||
| David Groenewold | .... | producer | |
| Götz Marx | .... | co-producer | |
| Stefan Raiser | .... | producer | |
| Felix Zackor | .... | producer | |
Kamera | |||
| Stephan Schuh | |||
Schnitt | |||
| Stefan Essl | |||
Casting | |||
| Nicole Fischer | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Gabriel Frankic | |||
| Stefanie Gros | |||
Kostüme | |||
| Katrin Schäfer | |||
Maske/Frisuren | |||
| Georg Korpas | .... | special makeup effects artist | |
| Bernadette Reschberger | .... | makeup artist | |
| Sabine Skuhra | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Peter Waschkowski | .... | production manager | |
Ausstattung (Stab) | |||
| Claudia Walter | .... | set designer | |
Ton Stab | |||
| Quirin Böhm | .... | sound | |
| Jo Fürst | .... | foley artist | |
| Oliver Jergis | .... | sound mixer | |
| Uwe Keilmann | .... | sound | |
| Abi Schneider | .... | sound re-recording mixer | |
| Christoph von Schönburg | .... | sound designer | |
Spezialeffekte | |||
| Johannes Brömel | .... | animatronic effects technician | |
| Johannes Brömel | .... | creature effects | |
| Jens Döldissen | .... | special effects | |
| Paul Egan | .... | sculptor/applicator: creature effects | |
| Aline Fischer | .... | animatronic sculptor | |
| Aline Fischer | .... | creature effects | |
| Chris Kunzmann | .... | special effects character designer | |
| Sebastian Lochmann | .... | animatronic sculptor: creature effects | |
| Andreas Mattijat | .... | sculptor/applicator: creature effects | |
| Nico Nitsch | .... | animatronic effects technician: creature animatronics | |
| David Opatz | .... | animatronic technician: creature effects | |
| Thommy Opatz | .... | moldmaker | |
| Thommy Opatz | .... | sculptor | |
| Benjamin Palmer | .... | animatronic effects technician: creature animatronics | |
| Rufin Wiesemann | .... | controller: creature effects | |
| Yun-An Zu | .... | sculptor/applicator: creature effects | |
Visual Effects | |||
| Thorsten Binte | .... | visual effects supervisor | |
| Boris Buergel | .... | digital artist | |
| Rico Dober | .... | digital artist | |
| Julia Dufek | .... | animator | |
| Nicola Greuter | .... | digital artist | |
| Thomas Mandl | .... | visual effects producer | |
| Andreas Mattijat | .... | digital artist | |
| Philip Meyer | .... | digital artist | |
Stunts | |||
| Peter Bosch | .... | stunts | |
| Siegfried Polap | .... | stunt double | |
| Mac Steinmeier | .... | stunts | |
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| Around the World in 80 Days | 100 Pro | Zwei Millionen suchen einen Vater | Zwei Affären und eine Hochzeit | 3 Engel auf der Chefetage |
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| Besetzung und Stab | Beteiligte Firmen | IMDb Action section |
| IMDb Deutschland section | Add this title to MyMovies |
This film is a great parody of American "killer crocodile" movies. Funny story about chasing an alligator who is escaped and hunt in the Danube. This creature must fight with some lamb heroes and handful bad guys.
The crocodile performed by some good CG-effects and animatronic animals, but the capital part of this movie is a romantic love storyline between an European Crocodile Dundee and a blonde pathologist girl. Yes, a bit weird.
The film has got minimal gory and nude scenes, but I think it can be a good fun for everyone. The only negative content is the music, what sometimes going to be very airy and infuriating. But apart from that, it's a correct production.