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No Country for Old Men (2007)

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Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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(screenplay), (screenplay) | 1 more credit »
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311 ( 15)
Top Rated Movies #166 | Won 4 Oscars. Another 156 wins & 132 nominations. See more awards »

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Cast

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Storyline

In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

In the open country you can find anything, but every fortune leaves a trail. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and some language | See all certifications »

Parents Guide:

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Details

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Release Date:

21 November 2007 (USA)  »

Also Known As:

Sin lugar para los débiles  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$1,226,333 (USA) (2 November 2007)

Gross:

$74,273,505 (USA) (4 April 2008)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The only firearm that Sheriff Bell uses during the film is a Colt M1911A1 .45ACP semi-automatic pistol. See more »

Goofs

The cattle gun used to blow the cylinder out of the center of the lock is not possible as shown in the movie. If the center of the lock was blown out, the bolt that secures the door to the frame (the large steel piece that slides out of a lock when you turn the key on a deadbolt) would still remain in place, and would still remain securing the door to the frame. Simply blowing the cylinder out would not be sufficient for quick or easy entry it would simply eliminate the need for a key. One would have to be able to fit a tool or their finger into the hole that was created and somehow pull the bolt back into the door, or possibly have to rotate the entire mechanism inside of the lock housing, as you would with the rotation of a key - and therefore ruining the element of surprise. See more »

Quotes

[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Connections

Referenced in Bob's Burgers: Like Gene for Chocolate (2017) See more »

Soundtracks

Puño de tierra
Written by Michael Eloy Sánchez
Performed by Angel H. Alvarado Jr., David A. Gomez, Milton Hernandez and John Mancha
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Frequently Asked Questions

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User Reviews

 
Tangible Fear As Art
4 March 2008 | by (New Zealand) – See all my reviews

I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.


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