Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering ...
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Peter returned from prison in his native city, in the hope that it will begin happy days. With surprise he learns that his sister became a foster mother to the newborn boy, but a real ... See full summary »
A young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother. Mari doesn't know that when the two men go to work in the city they raise cash by ... See full summary »
"Lost and Found" is a film project for which six young filmmakers from Central and Eastern Europe have each developed a short film on the theme of "generation". Together, these six short ... See full summary »
Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc. Written by
Kornel Mundruczo's "Johanna" is a cinematic mess, "full of sound and fury,/Signifying nothing." With its garish (green) colours and flared images, a mediocre score and lame libretto, the film is well below par. It would be generous to say this film looks more like a bloated, experimental undergraduate student film from the 1970's. Set aside films such as Ingmar Bergman's acclaimed "The Magic Flute" (1975), Joseph Losey's version of Mozart's "Don Giovanni" (1979)," Carlos Saura's flamenco "Carmen" (1983), and Francesco Rosi's 1984 production of the same material, lead by a cast of international opera stars, as being too mainstream and conventional. Mundruczo's "Johanna", supposedly a retelling of the story of Joan of Arc, is lurid and dimwitted. It is the sort of film to which the jaded cinematic "cognoscenti" ascribe all manner of praise for its director's brave vision and deep meaning, but don't be fooled. I watched the entire film, but I'd suggest that you don't. You'll be checking your watch after ten minutes, thinking an hour has passed, wondering if your time would be better spent doing something else. It would.
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