A mentally unstable Vietnam War veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a twelve-year-old prostitute in the process.
Robert De Niro,
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by
Huggo / edited by statmanjeff
In the summer of '06, during filming, a photographer took an on-set photograph of a man the photographer believed to be Daniel Day-Lewis, albeit with a great deal of physical alterations. The photograph appeared used on various film web-sites and in magazines as an example of how drastically Day-Lewis had changed himself for the role. Upon viewing the film and applying common sense, it turns out, this person was not, in fact, Daniel Day-Lewis; rather it was actor Vince Froio, who portrayed Plainview's "closest associate" at the end of the film. See more »
When Daniel and young H.W. are heading to the Sunday ranch for the first time, a large white camping roll can be seen strapped to Daniel's backpack. When we cut to the shot of them from behind, walking to the ranch, the large white camping roll is strapped to a bag Daniel is carrying in his right hand. See more »
Mr. Bankside, I'm not going to waste your time; I'd certainly appreciate it if you didn't waste mine. Now, if you wish to sign with me, we can have a well drilling within ten days, but your lot is further north from the discovery well up here, and so... Well, that means we'll probably have to dig deeper. And if there's as much oil here as I think there is, it'll be harder to reach, but once we find it, we can take it right out. You have to act quickly, because very soon these fields will be dry...
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There are no opening credits, except for the title See more »
A film that will leave film-goers pondering for a long time
PT Anderson delivers perhaps his best work with "There Will Be Blood". Unlike "Magnolia", the film's daunting runtime is not very daunting whilst watching it. All acting in the film was solid, even the work of the child actors. Daniel Day-Lewis in particular delivered a truly phenomenal performance, capturing the power of greed, fear, insanity, and comedy simultaneously, at many points throughout the film. At no point does the time period distract from the power of the film. Sometimes period pieces cannot be appreciated because they delve too deep into historical details -- turning the experience into more of a documentary than a narrative set in the past. This is not the case for "There Will Be Blood", as human interactions are the focus of the film. Johnny Greenwood's chilling score is very strong, benefiting from the elegant minimalism that he show's in the band Radiohead. The cinematography is also spectacular. Robert Elswit beautifully captures the essence of the environment and the tension amongst the characters. All in all, this is truly a perfectly crafted film.
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