A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by
Huggo / edited by statmanjeff
Every Wednesday night during editing, Paul Thomas Anderson and company would have just steak and straight vodka for dinner to keep in the mentality of Daniel Plainview. See more »
During the final scene in the bowling alley, Eli pours drinks for himself and Daniel Plainview. Daniel refuses the drink so Eli sets Daniel's drink and an empty glass behind him. As they converse, Eli drinks from his glass until Daniel orders him to stand and say that he is a false prophet. As he stands, Eli takes one last sip of his drink without finishing it and sets it down about a quarter full besides the other two glasses. On the next shot when the glasses are visible over Eli's shoulder, we can see Daniel's untouched drink and two empty glasses whereas Eli's drink was still about a quarter full when he put it down. See more »
[Plainview has just left a town meeting]
Mr. Plainview! No! Where are you going?
I don't need the lease, thank you.
We need you, we need you to...
Too much confusion! Thank you for your time.
No, no, no! There's no confusion! If you just...
[stops in his tracks, stares down Prescott]
I wouldn't take the lease if you gave it to me as a gift.
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There are no opening credits, except for the title See more »
If Daniel Day-Lewis doesn't win an Oscar for this performance, there is something horribly wrong. His performance and this film were amazing. I don't give this kind of accolade out generously. I was at the screening at the Chelsea West. We waited outside in the cold and rain for a good two hours to get in there and get some good seats and I can honestly say, I would have waited double that amount of time. Enough of my rambling though. In regards to the film itself; it was very well done. The cinematography was amazing as well as the set design. As usual, PTA gives us a flawless script with terrifying, humorous, and compelling dialogue. All of the acting was spot on. Paul Dano played the role of a two-faced, maniacal, and power hungry preacher. The young man who plays H.W. Plainview was also very solid. As PTA stated during the Q&A last night, he seemed to know everything about the story and his character and seemed to be a natural. Daniel Day-Lewis. Need I say more? He was breathtaking in TWBB. Amazing is all i can say. You will need to see the film to see for yourself. Some may become bored with the film at times, which is what i gathered from the people sitting around me. I had no problem with the "slow" scenes, but the general public may have a problem grasping this film. If anything, this will be the reason if it gets snubbed at the Oscars.
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