After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow ... See full summary »
Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
The film revolves around Park Hee-bong, a man in his late 60s. He runs a small snack bar on the banks of the Han River and lives with his two sons, one daughter, and one granddaughter. The Parks seem to lead a quite ordinary and peaceful life, but maybe they are a bit poorer than the average Seoulite. Hee-bong's elder son Gang-du is an immature and incompetent man in his 40s, whose wife left home long ago. Nam-il is the youngest son, an unemployed grumbler, and daughter Nam-joo is an archery medalist and member of the national team. One day, an unidentified monster suddenly appears from the depths of the Han River and spreads panic and death, and Gang-du's daughter Hyun-seo is carried off by the monster and disappears. All of the family members are in a great agony because they lost someone very dear to them. But when they find out she is still alive, they resolve to save her. Written by
Joon Ho Bong was impressed with Scott Wilson after having seen him in, among other films, Monster (2003). He approached the actor by sending him a copy of the script and a DVD of his previous film, Memories of Murder (Memories of Murder (2003)). The actor later agreed to be in the film. See more »
The sewerage they are searching the monster in, is dry and clean. See more »
This is a movie which will go straight into "best monster movies" lists; it is ground-breaking in the way humorous and horror content has been intertwined by a master film director. It was the closing film, shown last night (July 30) in the Auckland International Film Festival. There was a packed house of which about 60% were Korean people living in New Zealand. The audience was very attentive and the reception given to the movie was justly big applause. The animatronic effects have been done scrupulously well and viewers can look forward to being enthralled by the skills of those who "made the monster". We got the print which had come straight from Cannes and apparently the film opened just two days before we saw it in Auckland. There is no doubt that this movie will go on to do very big business wherever people appreciate great horror films. My inclination to rate it 10/10 was tempered only by a little doubt about the pacing of some sequences, but it is certainly worth 9/10. Look out for when it comes to a theater near you.
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