| Fotos (Alle 49 | Diashow) | Videos (see all 14) |
Regie | |||
| Jason Reitman | |||
Buch(WGA) | ||
| Diablo Cody | (written by) | |
Produktion | |||
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Daniel Dubiecki | .... | executive producer | |
| Lianne Halfon | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| John Malkovich | .... | producer | |
| Jim Miller | .... | co-producer | |
| Mason Novick | .... | producer | |
| Russell Smith | .... | producer | |
| Brad Van Arragon | .... | co-producer | |
Originalmusik | |||
| Matt Messina | (as Mateo Messina) | ||
Kamera | |||
| Eric Steelberg | (director of photography) | ||
Schnitt | |||
| Dana E. Glauberman | |||
Casting | |||
| Kara Lipson | |||
| Mindy Marin | |||
Szenenbild | |||
| Steve Saklad | |||
Bauten/Dekorationsbau (art directors) | |||
| Michael Diner | |||
| Catherine Schroer | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Shane Vieau | |||
Kostüme | |||
| Monique Prudhomme | |||
Maske/Frisuren | |||
| Sandy Cooper | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Monica Huppert | .... | makeup artist | |
| Sherry Linder-Gygli | .... | key hair stylist (as Sherry Gygli) | |
| Ann Pala | .... | makeup artist: J. Garner | |
| Robert A. Pandini | .... | hair stylist (as Robert Pandini) | |
| Lance Webb | .... | special makeup effects artist | |
Produktionsleiter (production managers) | |||
| Jack Schuster | .... | post-production supervisor | |
| Michael Williams | .... | unit production manager | |
Ausstattung (Stab) | |||
| John Beatty | .... | construction coordinator | |
| Josephine Bleuer | .... | key greensperson (as Josi Bleuer) | |
| Mike Carter | .... | greens person | |
| Michael Church | .... | set dresser (as Mike Church) | |
| Alex Cram | .... | assistant property master | |
| Doug Currie | .... | paint coordinator | |
| Paul Arthur Hartman | .... | set dresser (as Paul Hartman) | |
| Michael Jovanovski | .... | set dresser | |
| Dusty Kelly | .... | lead painter | |
| Bryan Korenberg | .... | property master | |
| Sergio Lavilla | .... | set dresser | |
| Johanna Manders | .... | greens person | |
| Dale Menzies | .... | carpenter (as Dale Manzies) | |
| D.J. Miller | .... | greens person | |
| Melissa Olson | .... | assistant set decorator (as Melissa Grace Olson) | |
| Susan Spaid | .... | set dresser (as Susan Spade) | |
| Kevin Tomecek | .... | lead carpenter | |
| Lori West | .... | art department coordinator | |
| Christopher Wishart | .... | set dresser | |
Ton Stab | |||
| Barney Cabral | .... | supervising adr editor | |
| Rickley W. Dumm | .... | sound editor | |
| Richard Dwan Jr. | .... | sound editor | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Bradley Kita | .... | sound assistant (as Brad Kita) | |
| Michael Kreple | .... | foley mixer | |
| James Kusan | .... | sound mixer | |
| Travis MacKay | .... | adr recordist | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Perry Robertson | .... | supervising sound editor | |
| Scott Sanders | .... | sound re-recording mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabe Serrano) | |
| Frederick H. Stahly | .... | sound editor (as Fred Stahly) | |
| Eric Thompson | .... | adr mixer | |
| Tony Wyman | .... | boom operator | |
| Kevin Zimmerman | .... | first assistant sound editor (as Kevin A. Zimmerman) | |
| David Hingorany | .... | sound mix engineer (uncredited) | |
Spezialeffekte | |||
| Michael Bolan | .... | special effects technician (as Mike Bolan) | |
| Rory Cutler | .... | special effects technician | |
| Ian Korver | .... | special effects technician | |
| Ken Reynolds | .... | special effects technician | |
| John Sleep | .... | special effects supervisor | |
| Attila Vaski | .... | special effects technician (uncredited) | |
Visual Effects | |||
| Go Aoyama | .... | CG artist: CosFX | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor: CosFX | |
| James Chu | .... | CG artist: CosFX | |
| Patrick Clancey | .... | digital opticals: Efilm (as Pat Clancey) | |
| Brandon Flyte | .... | CG artist: CosFX | |
| Owen Holdren | .... | CG supervisor: CosFX | |
| Ken Locsmandi | .... | visual effects production coordinator: CosFX | |
| Sharon Stetzel | .... | visual effects producer: CosFX | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
Casting (Stab) | |||
| Heike Brandstatter | .... | casting: Canada | |
| Coreen Mayrs | .... | casting: Canada | |
| Trica Thompson | .... | casting coordinator: Canada | |
| Tiffany Mak | .... | casting assistant (uncredited) | |
Kostüm und Garderobe (Stab) | |||
| Maria Bradley | .... | costumer: J. Garner | |
| Christine Coutts | .... | assistant costume designer | |
| Summer Eves | .... | truck costumer | |
| Lise Hache | .... | costumer | |
| Paul Lavigne | .... | costume set supervisor (as J. Paul Lavigne) | |
Schnitt (Stab) | |||
| Yanosh Cuglove | .... | editorial intern | |
| Omar Hassan-Reep | .... | post-production assistant | |
| Tim Krubsack | .... | digital intermediate consultant: Efilm | |
| Natasha Leonnet | .... | colorist | |
| Loan Phan | .... | digital intermediate producer: Efilm | |
| Martha Pike | .... | digital intermediate editor: Efilm | |
| Clay Rawlins | .... | first assistant editor | |
| Tom Reiser | .... | color timing assistant: Efilm | |
Musik (Stab) | |||
| Peter Afterman | .... | music supervisor | |
| Jason Faulkner | .... | guitar teacher | |
| Oren Hadar | .... | score mixer | |
| Hodges | .... | guitar teacher | |
| Alison Litton | .... | music coordinator | |
| Nick South | .... | music editor | |
| Margaret Yen | .... | music supervisor | |
| Scotty Crane | .... | music engineer (uncredited) | |
Transporte | |||
| Clif Kosterman | .... | transportation coordinator | |
Restlicher Stab | |||
| Cosmas Paul Bolger Jr. | .... | special effect producer | |
| Claudia Costa | .... | assistant to producers | |
| Claudia Costa | .... | production assistant to assistant director | |
| Peter Cummings | .... | clearance/product placement coordinator | |
| Shelly Darden | .... | assistant: Mr. Mudd (as Shelley Darden) | |
| Helen Estabrook | .... | assistant: Mr. Dubiecki | |
| Helen Estabrook | .... | assistant: Mr. Reitman | |
| Kyle Fried | .... | assistant: Mr. Mudd | |
| Evan Godfrey | .... | assistant: Mr. Reitman | |
| Omar Hassan-Reep | .... | production assistant | |
| Soo Hugh | .... | assistant: Mr. Drake | |
| Krista Kelloway | .... | assistant to co-producers | |
| Sue Levens | .... | production accountant | |
| Ryan Mains | .... | assistant location manager: re-shoots | |
| Christopher McDonell | .... | location scout | |
| Emily Millard | .... | assistant: Ms. Garner | |
| Shaun Moskie | .... | key production assistant | |
| Holly Pinder | .... | key production assistant | |
| Matthew Reis | .... | assistant: Mr. Novick (as Matt Reis) | |
| Lawra Robertson | .... | assistant to producers | |
| Neil Robertson | .... | location manager | |
| Stephanie Rossel | .... | script supervisor | |
| John T.L. Tang | .... | production assistant | |
| Chris Thoma | .... | assistant location manager | |
| Jeff Warden | .... | production assistant | |
| Trevor Westerhoff | .... | production coordinator | |
Widmungen und Dankeschöns | |||
| Ethan Berger | .... | thanks | |
| David Choe | .... | thanks | |
| Melissa Havard | .... | thanks | |
| Angie Hensley | .... | thanks | |
| Eddie Lin | .... | thanks | |
| Tara McPherson | .... | thanks | |
| Eleanor O'Connor | .... | thanks | |
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If people didn't realize what a joke the Academy Awards have been, certainly Juno will go a long way to show just that.
Juno is nothing but a huge PR campaign masquerading as an indie film. That's exactly what the Academy wants to be known for.
The fact that Juno is completely fake, from the absurdly hip bio of its writer to its forced (supposed) humor is what the Academy is all about.
Academy Awards have ceased a long time ago to be about quality. That's why they love Juno. They saw the hundreds of trade ads and voted for Juno, and the other films that bought cover ads in Variety and the Hollywood Reporter.
It may be good business for trade newspapers, but it's a shame for film and for the public.