An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The ... See full summary »
Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by... See full summary »
Nancy Abdel Sakhi,
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
In the nineties the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community and Kenan, a Muslim cellist, are a homosexual couple ... See full summary »
Post traumatic life of the Bosnian Muslim widows and daughters after their husbands and fathers were murdered by Bosnian Serb Army. Plot is set in post war eastern Bosnian village near town of Zvornik.
Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
Set against the backdrop of a former Yugoslavia of the nineteen-nineties, this is a single mother's anguish of how one must deal with truths and how to cope with a war's terrible past. With a twelve year old daughter to bring-up, both mother and child come head-to-head when a school trip is in the air and complications and rude awakenings arise from the ashes' of the cold and callous days of conflict, xenophobia and its secrets. Written by
Before yesterday, I didn't know ANYTHING about Bosnian actors or directors. I only went to see it because of Leon Lucev - I know him from Sta je muskarac bez brkova. Well, I discovered Jasmila Zbanic, Mirjana Karanovic, Luna Mijovic yesterday. Both actresses were brilliant. The director managed to show normal life of Sarajevo, it was so easy to identify with Esma and Sara's problems, even for people who never had such traumatic experience.
That's why the ending was even more shocking. I had tears in my eyes (and that happens very rarely, I'm not sentimental at all) - and when I secretly looked around, I saw all the others have tears in their eyes, too.
One little off-topic comment: I saw here comment that Esma shouldn't swear to Tito in the film, because she was too young when Tito died, and her generation didn't feel Titoism so strong. I was only 3 when Tito died. But even 8 years AFTER he died, we (in Croatia) still had to sing "Comrade Tito, we swear to you not to turn off your path" and "Comrade Tito, white violet, all young people love you. Young and old love you, you are our pride and our hope" - we had to sing it on all school events on holidays.
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