When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Two mutant brothers, Logan and Victor, born 200 years ago, suffer childhood trauma and have only each other to depend on. Basically, they're fighters and killers, living from war to war through U.S. history. In modern times, a U.S. colonel, Stryker, recruits them and other mutants as commandos. Logan quits and becomes a logger, falling in love with a local teacher. When Logan refuses to rejoin Stryker's crew, the colonel sends the murderous Victor. Logan now wants revenge. Written by
In some scenes, Wolverine's claws were created through computer graphics imagery, since the props being used in those scenes looked obvious. See more »
(at around 28 mins) Kayla tells Logan the story of a wolverine howling at the moon. Wolverine vocal cords are unable to make a howling sound. But cultural stories are not always scientifically accurate, especially if they are a way for a culture to explain something in nature. See more »
For the X-Men trilogy, when the 20th Century Fox logo fades away, the 'X' in the logo stays for a second longer before it also fades away. For this film, the 'X' disappears with the rest of the word. See more »
This film was slated to be a blockbuster film, and it really is. This is the type of movie that is made to eat popcorn to and watch the flashy graphics. With that in mind, the movie delivers, perhaps not as well as the ultra flashy Iron Man, but well enough. Outside of the popcorn munching action and special effects, the film drops off of the cliff faster than Wile E. Coyote.
Many viewers, myself included, will complain about how most of the characters were severely altered, but that only makes the film a poor adaptation, not a poor film. This film is unsatisfactory for other reasons. The makers focused more on making it appealing to the eye than they did to the mind. The characters that have been long awaited and promoted are reduced to 4-scene cameos. The main characters of Wolverine, Victor Creed (never called Sabertooth in the film) and Colonel Stryker are well developed. I was pleasantly surprised by Liev Schriber's performance. The rest of the characters are tossed to the wayside to make way for the all important eye-candy. Wolverine's character is fully developed after 30-minutes, as is Sabertooth, though Victor does pull off some surprises late in the film.
The "final boss" of the film is a twisted and perverse adaptation of the original character and barely gets any development to show just why he is the way he is. The filmmakers obviously felt that all they really needed to do was create a bad ass character who could do anything they wanted and slapped on the name of a popular character.
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