Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Set three years after Dragon Inn, innkeeper Jade has disappeared and a new inn has risen from the ashes - one that's staffed by marauders masquerading as law-abiding citizens, who hope to unearth the fabled lost city buried in the desert.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Originally cameo appearances were planned in the film for James Logan Howlett (Wolverine) and Erik Lensherr (Magneto), who were present during World War II (Logan was a soldier and Lensherr was a prisoner of war). These cameos were scrapped due to rights issues. See more »
When Steve Rogers and Dr. Erskine are sitting in the barracks having a discussion, Steve's footlocker has his social security number on the lid. During World War II, military personnel had a service number which had a different format than the social security number used by today's military. See more »
Captain America: The First Avenger is a pretty decent film by its own merits. Showing the good old retro style and production design, since this film is directed by Joe Johnson who is capable of portraying the old times perfectly. Chris Evans did a great job as Captain America. Some of the action scenes are disappointingly unexciting but at least the CGI effects are eye candy. The movie ends with true patriotic heroism and full of heart. Definitely not new but it's still enjoyable.
The trope of Captain America: The First Avenger has been reused by so many superhero movies. A good guy who is a weakling became powerful then eventually saves the day. It's definitely not innovating even for the people who've never read the comics but it's a relic. Well made production design & the old fashion score. Most battle scenes are montages. The action scenes are large. It can be watchable but some of them are pretty bland and poorly directed.
The joys and the thrills mostly goes to the performances. Nothing goes wrong with Chris Evans. He did a decent job as Steve Rogers/Captain America. Hugo Weaving is fun to watch by his campiness and menace for the Red Skull. Tommy Lee Jones is the comic relief here. The special effects are everywhere. Skinny Chris Evans and the background of the 1940s. Well, they are good enough for this film.
Plenty of things worked in the end. Captain America: The First Avenger is a relic in its old fashion style but a little messy when it comes to the editing of the action scenes, but it's still enjoyable. Patriotic heroism, full of heart, Chris Evans, and decent production design. Marvel Studios and Joe Johnston really beats the awful 1990s version. The action could have been better but their flaws can be ignored. It's fun enough as a superhero movie.
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