7.6/10
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Wonder Woman (2017)

PG-13 | | Action, Adventure, Fantasy | 2 June 2017 (USA)
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When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

Director:

Writers:

(screenplay by), (story by) | 3 more credits »
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39 ( 17)

'Wonder Woman' Is Here

Can't get enough of Wonder Woman? Explore the on-screen evolution of Wonder Woman, and check out 9 kickass women who put the super in superhero.

9 wins & 18 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Artemis (as Ann J. Wolfe)
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Philippus
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Storyline

Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.

Plot Summary | Plot Synopsis

Taglines:

Wonder. Power. Courage. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence and action, and some suggestive content | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

2 June 2017 (USA)  »

Also Known As:

Wonder Woman  »

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Box Office

Budget:

$149,000,000 (estimated)

Opening Weekend:

CNY 256,575,698 (China), 4 June 2017

Opening Weekend USA:

$103,251,471, 4 June 2017, Wide Release

Gross USA:

$412,563,408, 9 November 2017

Cumulative Worldwide Gross:

$821,763,408
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Color:

(Technicolor)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Elena Anaya plays Dr Maru, a woman hidden behind plastic prosthesis. Anaya's casting is an homage to her performance in Pedro Almodóvar's La piel que habito (2011), where she wore a face mask. Patty Jenkins is a big fan of Almodovar. See more »

Goofs

Briefly during the first London rail terminus scene, overhead wire gantries can be seen in the background of a type that were not in use until the 1950s on-wards. See more »

Quotes

[first lines]
Diana: I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether.
See more »

Crazy Credits

The closing credits are set in a montage of scenes from the film, accompanied by Wonder Woman's lasso, shield and logo. See more »

Connections

Edited into Hollywood Express: Episode #14.34 (2016) See more »

Soundtracks

Schatzwalzer Op. 4
Written by Johann Strauss (as Johann Strauss II)
Performed by Berlin String Quartet
Courtesy of Kontor Records GmbH/ Edel Records GmbH
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Major Disappointment
10 October 2017 | by See all my reviews

I can't help but wonder if I watched the same film that impressed so many people. As with most DC Comics films, this one was a great disappointment. While Marvel Comics films tend to be satirical and even self-effacing, DC films are pretentious and tedious. Sadly, Wonder Woman was no exception to this rule.

The scripting was totally unimaginative, with dialogue that bordered on infantile. Visually, the landscapes all seemed plastic, with B-movie grade CGI throughout. Even the music was awkward, fighting the dialogue during the more intimate moments and drowning each scene in instrumentals. I found myself doubting whether the director and editor are aware that there doesn't have to be a bombastic or flowery incidental score under everything — it displayed a lack of confidence in the dialogue and acting carrying the scene.

Regarding the acting, both Gadot and Pine gave it their best, struggling with the stilted dialogue and boring, telegraphed story line — but even they couldn't transcend this quagmire. If not for its pretentiousness, this film would have played far better as a comedy, lampooning itself. Instead, it drowns itself in incessant platitudes of women good/men bad, framed within a plebian one-dimensional plot.

Again, I'm at a loss to explain its high marks, other than to ascribe it to the currently trendy political correctness that elevates all patronizing misandry to high art and entertainment.


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