| Mikael Persbrandt | ... | Åke | |
| Lena Olin | ... | Nina | |
| Tuva Novotny | ... | Linda | |
| Mimmi Benckert-Claesson | ... | Emma | |
| Michael Nyqvist | ... | Sven Blomberg | |
| Reine Brynolfsson | ... | Åke's Boss | |
| Jonas Karlsson | ... | Mats | |
| Börje Ahlstedt | ... | Åke's Father | |
| Mona Malm | ... | Åke's Mother | |
| Shanti Roney | ... | Martin | |
| Fares Fares | ... | Patrik | |
| Leif Andrée | ... | Policeman | |
| Maria Gruber | |||
| Michael Engberg | |||
| Oliver Martinsson | ... | Oscar | |
| Thomas Chaanhing | ... | Taxi Driver | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Ashkan Ghods | |||
| Jesper M. Sjöberg | ... | Huligan (scenes deleted) | |
Regie | |||
| Simon Staho | |||
Buch(In alphabetischer Reihenfolge) | ||
| Peter Asmussen | writer | |
| Simon Staho | writer | |
Produktion | |||
| Tomas Eskilsson | .... | co-producer | |
| Jonas Frederiksen | .... | producer | |
| Peter Aalbæk Jensen | .... | co-producer | |
| Mette Nelund | .... | co-producer | |
| Peter Possne | .... | co-producer | |
Kamera | |||
| Kim Høgh | |||
| Eric Kress | |||
Schnitt | |||
| Janus Billeskov Jansen | |||
Casting | |||
| Maggie Widstrand | |||
Szenenbild | |||
| Kia Nordqvist | |||
Bauten/Dekorationsbau (art directors) | |||
| M. Wan Sputnick | |||
Maske/Frisuren | |||
| Anna-Lena Melin | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Anne Katrine Andersen | .... | post-production producer | |
| Lene Nielsen | .... | production manager | |
Regieassistenten | |||
| Håkan Linder | .... | first assistant director | |
Ausstattung (Stab) | |||
| Li Garpenfeldt | .... | property master | |
| Monika Wahlin | .... | property master | |
Ton Stab | |||
| Peter Albrechtsen | .... | production sound mixer | |
| Kristian Eidnes Andersen | .... | sound designer | |
| Kim Dalum | .... | dialogue editor | |
| Anders Ekdahl | .... | sound recordist | |
| Anne Jensen | .... | foley technician | |
| Gadou Naudin | .... | foley artist | |
| John Nielsen | .... | sound recordist | |
| Jacques Pedersen | .... | boom operator | |
Visual Effects | |||
| Søren Tomas | .... | digital effects | |
Kamera und Elektrik (Stab) | |||
| Christer Bjurström | .... | video assist operator | |
| Per Danbo | .... | electrician | |
| Adam Jandrup | .... | best boy electric | |
| Stefan Jonsson | .... | best boy electric | |
| Martin Pålsheden | .... | best boy electric | |
| Claus Rosenløv Jensen | .... | assistant camera (as Claus Rosenløv) | |
| Erik Thal-Jantzen | .... | assistant camera | |
| Michael Tøt | .... | assistant camera | |
Casting (Stab) | |||
| Mikael Kyrklund | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Anni Liljegren | .... | on-set costumer | |
| Viktoria Mattila | .... | costume assistant | |
Schnitt (Stab) | |||
| Sigrid Aalbæk | .... | assistant editor | |
| Gregers F. Dohn | .... | trailer editor (as Gregers Dohn) | |
| Peter Hjorth | .... | digital colorist | |
| Sten Lindberg | .... | color timer | |
| Dan Loghin | .... | assistant editor | |
| Simon Lytting | .... | assistant editor | |
| Lasse Martinussen | .... | assistant editor | |
Musik (Stab) | |||
| Greg Rogers | .... | executive music producer | |
Restlicher Stab | |||
| Irina Ahlstrand | .... | runner | |
| Annika Appelin | .... | script supervisor | |
| Anders Claesson | .... | production coordinator | |
| Linda Daae | .... | continuity | |
| Pia Janols | .... | production accountant: Sweden | |
| Peter Kimay | .... | location manager | |
| Ann Køj | .... | production accountant: Denmark | |
| Hans Lönnerheden | .... | completion bond | |
| Michael Lundin | .... | production assistant | |
| Yvonne Lundin | .... | assistant location manager | |
| Tommy Malm | .... | location manager | |
| Jonas Ohlsson | .... | assistant location manager | |
| Ylva Swedenborg | .... | publicist | |
| Anna Thulin | .... | production assistant | |
| Ann Vognsen | .... | production accountant: Denmark | |
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| Himlens hjärta | Nu | Lilja 4-ever | Minority Report | One True Thing |
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| IMDb Drama section | IMDb Sweden section | Add this title to MyMovies |
I didn't like Staho's previous film "Dag och natt" so much, felt it was just over-dramatic and pretentious, but I really enjoyed this one. It was cynical and crazy, but in a good way. I liked the dark humour and Mikael Persbrandt takes on a different character as he gives vent to the life of Åke. Åke's life is turned up-side down as he suffers a family crisis; his wife upon this leaves him and on top of that he looses his job... This is a situation he doesn't quite know how to handle (understatement of the year) and his character faces the risk of having his life become like Michael Douglas' character in "Falling Down"... But the line between sane and crazy is thin, and pretty blur, especially as the society - and the people around him - doesn't feel that sane itself.
I don't know if this one will work internationally. I think it's very European - or very Scandinavian. Director Simon Staho has a very interesting way of working with colors, and works with long dialogue scenes at odd places (for example in a car, outside a front door etc.). He says himself he want to make films that is a mixture of drama and the visual feeling of rock videos. Rock videos turned in to real life scripts; deciphered.
The cast is very good - and very impressing! It actually joins together the best acting forces Sweden has got at the present. The greatest national and popular film stars at the moment - Mikael Persbrandt, Tuva Novotny, Jonas Karlsson & Shanti Roney; some theatre heavies from the Royal Dramatic Theatre - Reine Brynolfsson, Börje Ahlstedt & Mona Malm; and last but not least, Sweden's coolest international star today, all categories; hardcore material and the always challenging and electrifying actress Lena Olin, here in her first native language part in a decade (and who really should do more European independent/experimenting/challenging stuff like this - like she did in "Romeo Is Bleeding", "Unbareable Lightness of Being"; because no one else does it better!!)!! Try it. Either you like it or you wont. (It's one of those films).