The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
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"All eyes will be on you," says the Austrian Empress, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France. Written by
A few quotes from the film are directly taken from Marie Antoinette's actual life and from the biography by Lady Antonia Fraser that the film is loosely based upon. Louis XV's comment about Marie Antoinette's bosom upon her arrival in France, Marie Antoinette's comment on having enough diamonds when presented with the opportunity of receiving some as a gift from Madame du Barry, Marie's comment to Madame du Barry about there being a lot of people at Versailles on the day of their infamous first exchange of words, and Marie's comment to her husband, Louis XVI, during a gambling party, explaining that Louis told her she could throw the party but never specified for how long are all actual exchanges of words and conversations from different events in the queen's life. See more »
In the first dressing scene when Marie Antoinette's sister-in-law enters the room, she begins to take her gloves off then the camera changes angles and she begins to take her gloves off again. See more »
Marie-Antoinette at the Court of Versaille at age 14 through to age 30. Her progression from eagerness, disappointment, compensation and the end, which we all know.
A hauntingly beautiful film about how deep disappointment finds an outlet in "creative" frivolity. The combination of rock music and the rituals of Versaille never "shocks" thanks to the mastery of the direction. There is also a solid mastery of pacing. The slow progression of the film never bores; it reveals in time. The glory of Versailles is not shown
at the beginning but only as the film and the psychology of its heroine develop. The films owes a lot to the leading actress and way she is shot. The close-ups of the expressive face of Kirsten Dunst communicate the whole range of emotions behind a women eager to please and to do well, but who is trapped and inwardly anguished and disappointed. Rarely have we felt so close to a famous woman so far back in time. The film also masters the art of depicting "historical clichés", such as MA playing milkmaid, very convincingly. I was wonderfully surprised by this unusual film, and will see it a second time.
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