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The Fountain (2006)

PG-13 | | Drama, Sci-Fi | 22 November 2006 (USA)
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As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

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(screenplay), (story) | 1 more credit »
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1,605 ( 96)
Nominated for 1 Golden Globe. Another 8 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Fernando Hernandez ...
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Richard McMillan ...
Lorne Brass ...
Abraham Aronofsky ...
Renee Asofsky ...
Anish Majumdar ...
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Storyline

Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Death as an act of creation. See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of violent action, some sensuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

22 November 2006 (USA)  »

Also Known As:

The Last Man  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$3,768,702 (USA) (22 November 2006)

Gross:

$10,139,254 (USA) (2 February 2007)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A piano and vocal interpretation of Clint Mansell's "Stay with Me" theme was originally recorded for the end credits, with Justin Skomarovsky on piano and Antony Hegarty (of the group Antony and the Johnsons) on vocal. Director Darren Aronofsky, though satisfied with the piano arrangement, didn't feel that Antony's lyrics consummately reflected the film's message and narrative. Ultimately, Aronofsky discarded the song and opted instead to record Skomarovsky's piano arrangement with veteran Hollywood pianist Randy Kerber. See more »

Goofs

The second brightest star of Orion constellation, Betelgeuse, is missing in the sky views throughout the film. See more »

Quotes

[first lines]
Tomas Verde: Let us finish it.
See more »

Crazy Credits

The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large sale structure of the universe. These devolve to black screen, the early "opaque" stage of the universe, when early particle were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »

Connections

References Three Ages (1923) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Ambitious, Moving, and a Conversation Stimulator
19 November 2006 | by (Valencia, California) – See all my reviews

I was lucky enough to see a screening of The Fountain a few days before the official release date.

The music was hauntingly beautiful.

The use of micro-photography made the visual effects gorgeous. Still-shot images of this movie should be framed and hung wherever there are large groups of people present.

I was engrossed in the story. It's complex, yet basic at its core. I literally felt the tragedy of the situation. And despite connecting with that tragedy emotionally, I couldn't help but sit in awe as the credits began rolling. I felt neither depressed nor hopeful as the experience ended . I just felt spent, moved , and incredibly eager to engage in discussion.

I have a newfound respect for the talent of both Hugh Jackman and Rachel Weisz. If I see either of them on the street I will feel compelled to offer a handshake.

I am convinced Darren Aronofsky is going to be regarded as one of the elite directors of our time before his career comes to an end.

Overall, this movie is layered in intriguing elements. I've heard it described as a poem, and I agree entirely. It's like a timeless poem in that it deserves to be revisited, both in viewings and in conversation.


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