Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
The protagonist Elizabeth Bennett is a witty, sarcastic, somewhat stubborn young lady who really has an opinion about quite a lot including why she would not marry simply because of it is expected of her. Mr. Guy Darcy is a shy, rich, man who defiantly believes there is such a thing as superior birth. Written by
When Elizabeth examines the bust of Mr. Darcy, the camera pans around the back of the bust and dried dollops of plaster can be clearly seen on the backside of the shoulders and the column. The bust is supposed to be carved marble, and would not have the plaster dollops. See more »
This quintessentially English film is utterly charming - a very traditional interpretation of Jane Austen's 1813 novel that manages to entertain, amuse and even move. First time director Joe Wright has worked with television playwright Deborah Moggach's script and a wonderful collection of mainly British actors to delight us. The versatile camera-work, luscious countryside, grand settings, period costumes, and atmospheric music are evidence of a work on which much love has been lavished.
At the heart of this triumph is the delightful 20 year old Keira Knightley as the assured and sharp Elizabeth Bennett, the second of five daughters looking to be married off by an anxious mother. Knightley's rise in the thespian firmament has been meteoric and this is her best performance to date in a role for which she is perfectly cast. Matthew MacFadyen is suitably brooding and gauche as Mr Darcy, but the cast list is enlivened with splendid British character actors, including Brenda Blethyn as Lizzie's irascible mother, Tom Hollander as a diminutive cleric seeking a wife, and Judi Dench as the formidable Lady Catherine, plus the Canadian Donald Sutherland (Lizzie's wise father).
This is a Georgian world in which social conventions present a veritable minefield for indiscretions or misunderstandings and in which a formal dance can be as intricate an occasion as international diplomacy. Pride and prejudice are only two of the obstacles to be overcome before inevitably true love brings Lizzie and her dark knight nose to nose (we don't even see a kiss). Passionate stuff indeed.
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