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The Edukators (2004)

Die fetten Jahre sind vorbei (original title)
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.

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11 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jan
...
Jule
...
...
Hardenberg (as Burghart Klaussner)
...
Villenbesitzer Jürgen
Petra Zieser ...
Villenbesitzerin
Laura Schmidt ...
Tochter Laura
Sebastian Butz ...
Sohn
Oliver Bröcker ...
Knut Berger ...
Globalisierungsgegner
...
Vermieter
Claudio Caiolo ...
Paolo
Bernhard Bettermann ...
Jules Chef
Sylvia Haider ...
Neureiche Frau 1
Claudia Jakobshagen ...
Neureiche Frau 2
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Storyline

Berlin student Jule is hoplessly indebted due to an accident she caused, uninsuredly hitting a rich businessman's limousine. Evicted from her flat she moves in with her boyfrend Peter and soon learns that Peter and his flatmate, Jan, are breaking into luxurious mansions at night. Instead of stealing or vandalizing, though, they carefully and ornately rearrange furniture and valulables and leave obscure messages. Jule convinces Jan, who has a crush on her, to pay a visit to the villa of her creditor. Written by Armin Ortmann {armin@sfb288.math.tu-berlin.de}

Plot Summary | Plot Synopsis

Taglines:

Your Days Of Plenty Are Numbered See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, a scene of sexuality, and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

25 November 2004 (Germany)  »

Also Known As:

The Edukators  »

Filming Locations:

 »

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Box Office

Opening Weekend:

$393,664 (Germany), 10 December 2004

Opening Weekend USA:

$10,075, 24 July 2005, Limited Release

Gross USA:

$175,493, 16 October 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The song "Where's The Real Sky" is credited to Jeff Cole on the soundtrack and was mentioned in the movie as a favorite artist of Jan and Jule. Jeff Cole is a pseudonym for the score-writer, Andreas Wodraschke. The singer is his friend Sam Genders of London. See more »

Goofs

After the first scene at Jan's and Peter's apartment, a cameraman with his camera (red light) is reflected in the Volkswagen bus when they are backing up from their parking place into the street. In the following scenes, every time we see the VW's rear, the curtains are closed in order to hide the cameraman seen before. See more »

Quotes

Aggressiver Globalisierungsgegner: The State supports Capitalism!
[while being dragged away by the Polizei]
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Crazy Credits

There is an additional take after the credits related to the last project of the three protagonists. See more »

Connections

Remade as The Edukators See more »

Soundtracks

Hyperspace
Written by Caws, Lorca, Elliott
Performed by Nada Surf
Published by Budde Muikverlag
Released by Strictly Confidential Germany/Warner Music
See more »

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User Reviews

 
Easily one of the best films about activism
27 April 2010 | by See all my reviews

The first review I read of this movie criticized the camera work. I wonder why? For an indie production, this was a surprisingly high quality film and nowhere near as jerky as, say, Cloverfield. If you tend towards sea-sickness and have been avoiding watching this film for that reason then rest assured that there is no need to bring a sick bag to the viewing.

Having said that, I found the Edukators to be a well developed character drama that pulled the carpet out from under my feet just when it started to get too comfortable. The three central, activist characters have perfect amount of cynicism, idealism and vulnerability. Their views never came across as preachy, merely pragmatic. But then I'm left wing, so I guess I would say that - however, the 'other side of the story' gets a chance to be heard in the form of Mr. Hardenberg. As a child of a baby boomer I found him to be a familiar character, full of his generation's mournful sense of complicity in corruption. The only complaint i had is that the action drags a bit towards the end, but this is compensated for by the clever twist at the ending.

It's hard to find a story out there that actually contributes emotional depth to the 'capitalist vs. socialist' debate instead of focusing on rhetoric. That's why I am thankful to the makers of this film for contributing such a solid story to the mix. I would definitely recommend it to any activist friends who want to think beyond the next demo and/or leafletting session.


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