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Sweeney Todd: The Demon Barber of Fleet Street (2007)

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The infamous story of Benjamin Barker, a.k.a. Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.

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(screenplay), (musical) | 1 more credit »
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Won 1 Oscar. Another 33 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Toby (as Edward Sanders)
Gracie May ...
Ava May ...
Gabriella Freeman ...
Jody Halse ...
Policeman
Aron Paramor ...
Policeman
Lee Whitlock ...
Policeman
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Storyline

In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

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Helena Bonham Carter is THE BAKER. See more »


Motion Picture Rating (MPAA)

Rated R for graphic bloody violence | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

21 December 2007 (USA)  »

Also Known As:

Sweeney Todd  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$13,635,390 (USA) (21 December 2007)

Gross:

$52,882,759 (USA) (14 March 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shipped to some theaters under the name "Skunk," presumably owing to the depiction of Sweeney Todd with a white streak in his black hair. See more »

Goofs

Mr. Pirelli's hand sticking out of the chest differently between shots. See more »

Quotes

[first lines]
Anthony Hope: I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
Sweeney Todd: No, there's no place like London.
Anthony Hope: [spoken] Mr. Todd?
Sweeney Todd: You are young. Life has been kind to you. You will learn.
See more »

Connections

Featured in Pinewood: 80 Years of Movie Magic (2015) See more »

Soundtracks

Alms Alms
Music and Lyrics by Stephen Sondheim
Performed by Laura Michelle Kelly
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Burton does better than anyone else . . .
14 December 2007 | by (United States) – See all my reviews

"At last, my arm is complete again." Sweeney Todd as he admires one of his efficient razors after a long absence.

I'm not sure Tim Burton's Sweeney Todd is "grand," but I'm confident it's in the best Grand Guignol tradition of sensational stage horror given its name from that little theater in early 20th century Paris that specialized in sensationally ghoulish productions. I am also sure that no one in film is better able to play the titular butcher than the shape-shifting, ever-naughty Johnny Depp.

The opening song "No Place Like London" hints to Anglophiles like me that it won't be my usual tour of West End theaters, rather a seedy, dangerous place where Mac the Knife would be more at home. Throughout the musical, Steven Sondheim's lyrics expressively revel in the amoral, throat-slicing world that Sweeney and his adoring meatpie lady, Nellie Lovett (Helena Bonham-Carter), wallow in as he prepares to take revenge on the equally amoral Judge Turpin (Alan Rickman), who dispatched Todd to prison early on to get his beautiful young wife. Hence Sweeney's revenge inclination.

Sweeney's lyric best expresses the wildly murderous world, hardly the usual province of musicals: "Alright! You, Sir?/No one's in the chair come on, come on/Sweeney's waiting/I want you bleeders./You sir! Too sir?/Welcome to the grave./I will have vengeance./I will have salvation . . . ." Yes, it's Sleepy-Hollow, Corpse-Bride Tim Burton's movie with blood spouting like red paint from a pressure gun contrasting the somber, almost black and white underside of London. When one of the children bites into a pie with a finger in it (shades of our contemporary law suits!), the audience doesn't even gasp, given the omnipresence of bloody bodies.

There is no more interesting musical this year, even considering the enchanting Once. In the end, it is unsettling, unsavory, and unusual. Burton does better than anyone else in juxtaposing horror with innocence.


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