A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
Sequel to Lammbock. Stefan and Kai meet again after years. Stefan became a successful lawyer in Dubai while Kai is stuck in their home town. Kai has relationship issues and is trying hard ... See full summary »
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in Tequila and decide to take one last trip to ... See full summary »
Jan Josef Liefers,
Thierry van Werveke
When Georg loses his job, he conceals the fact from his younger wife Johanna, who wants a child with him. Instead, he embarks upon a campaign of revenge against his former boss and begins to renovate a roller-coaster with an old school friend.
This drama focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
The unborn child of Mamlakat (Khamatova) is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother (... See full summary »
Austrian movies have a certain something, "the" something that the renowned Silentium earlier this year managed to communicate to the audience. The something, well, it is this slightly morbid, self-conscious and a little mischievous attitude of Austrian actors and directors. There is a saying "The Austrian has a close personal relationship with his pimples", which must sound quite amusing outside of Austria.
While all this adds a certain charm to local productions, c(r)ook fails to deliver it, and that is mainly because of it's German cast, which -as usual- fails completely to trade on anything that is not German. Moritz Bleibtreu is a welcome change of pace, but all the other Germans, were they really necessary? There is even a cheesy voice-over to camouflage Duringer's Viennese accent for the German audience, which is so completely annoying that it almost made us quit the movie and leave. 6/10
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