An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Jean-Baptiste Grenouille came into the world unwanted, expected to die, yet born with an unnerving sense of smell that created alienation as well as talent. Of all the smells around him, Grenouille is beckoned to the scent of a woman's soul, and spends the rest of his life attempting to smell her essence again by becoming a perfumer, and creating the essence of an innocence lost.
Midway through the movie a whore appears with a Pekingese dog. The Pekingese were not formally introduced into Europe until midway through the 19th Century when Britain and France "sacked" the Chinese Empire (circa 1860). The Pekingese were kept exclusively in the Chinese Imperial Palace (Forbidden City) until then and maintained by eunuchs. The movie takes place in the mid 18th Century. While it may be possible British or French royalty could have had a Pekingese (although extremely unlikely), a French harlot owning a Pekingese in the 1700's is an impossibility. See more »
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb See more »
People who know the book tend to expect an exact illustration. This c a n work, but serves in any case to prove the book as untouchable "original" of which the movie manages or not to find appropriate images. The film has its flaws, I admit. I won't repeat the points others found. But the book has flaws as well. Art is always flawed. So Süskind fails to make his main character real. Through narration we understand smell to be deeply connected to our emotions, but we have no soul in the book to identify with. Therefore everything is left to our imagination.
Did anyone really wish to accompany an ugly, demented Grenouille two and a half hours long, and smile about the satirical and philosophical subtleness of the story? Film is a completely different art and requires the freedom to develop its own language. Imho Tom Tykwer made such a strong and overwhelming intro, the first 30 minutes are so good, that the rest of the movie, though good too, can't top it.
Compared to last years big budget movies the film is the most interesting since many years. Count "Aviator", but please leave out "Pirates" and "Superman"
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