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30 Days of Night (2007)

After an Alaskan town is plunged into darkness for a month, it is attacked by a bloodthirsty gang of vampires.

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Cast

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Wilson Bulosan
Chic Littlewood ...
Isaac Bulosan
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Storyline

This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction. Written by Risin' Outlaw

Plot Summary | Plot Synopsis

Taglines:

Welcome to Barrow (Alaska), Inhabitants: (scratched number 588') 15 See more »

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong horror violence and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

19 October 2007 (USA)  »

Also Known As:

30 días de noche  »

Filming Locations:

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Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$15,951,902 (USA) (19 October 2007)

Gross:

$39,568,996 (USA) (22 November 2007)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Prints were shipped to some theaters under the fake title "Red Impression". See more »

Goofs

In the film, Barrow is bright and sunny one day, then completely dark for the next 67 days. In reality, the days get shorter and shorter until the sun no longer appears over the horizon. Twilight appears every day, between noon and 4:00 pm, until the sun once again peeks over the horizon. See more »

Quotes

[first lines]
Sheriff Eben Oleson: Strange.
See more »

Crazy Credits

The colors in the opening Columbia Pictures logo quickly fade, leaving only blues and grays. See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Best Vampire Movie in Over a Decade
23 October 2007 | by (New Jersey, USA) – See all my reviews

As night begins to fall for a thirty day spell over a small Alaskan outpost village, a motley crew of vampires comes waltzing in for a feast in David Slade's adaptation of the graphic novel, "30 Days of Night." Ever since "Interview with the Vampire" vampires have been depicted in films as something hip, cool, and sexy. Recently the idea of becoming a vampire is like making a fashion statement or becoming a Scientologist. In "30 Days of Night" the vampires are nameless, cunning, animal-like bloodsuckers and far from mindless zombies (which have been more popular of late). Finally, vampires are restored to film as monsters to be feared and not as some sympathetic and alluring subculture.

The film grabs you from its opening shot of a man walking through a desolate snow covered landscape away from an ominous boat docked in the ice and never lets go. Director Slade wisely avoids many of the seizure-inducing trappings of recent horror films. Sure, there are the prerequisite quick-cuts in the intimate scenes of carnage, but there are also haunting wide-angled shots and one expertly staged bird's-eye-view crane shot when the vampires first begin dragging people out of their houses into the street. While successfully adapting some of the great imagery from the graphic novel, Slade is fully aware that this is still a film and shies away from CGI and overly-stylized lighting and effects that would detract from the sense of realism necessary in a far-fetched horror film such as this.

Slade also makes good use of his cast. Danny Huston is perfectly creepy as the vampires' leader. Josh Hartnett, who is typically miscast and emotionless, actually fits well the role of a wooden Sheriff of a remote Alaskan town. Ben Foster, who always overacts, is used effectively here in a bit role as an over-the-top Reinfield-like character who ushers the vampires' arrival in town. Melissa George is pretty and sympathetic as Hartnett's estranged wife. Like many serious horror films of recent memory ("Dawn of the Dead" or "The Descent") the film attempts some character development that is often "emo" but never overplays its hand.

Aside from being better directed and better acted than your run-of-the-mill horror flick, "30 Days of Night" is also fantastically gory. Decaptation aficionados will especially rejoice. Refreshing, too, is the way it takes its gore and action dead seriously. There are no silly one-liners or graphic sight gags. The characters are deeply affected by what they witness and what they have to do to survive. This is pure horror, and it's relentless.

Yes, there are some missteps with the film's pacing and some huge leaps of logic in the amount of time that passes between events. However, for the shear originality of its central conceit, the intensity of the gore, and the haunting quality of many of its signature shots, David Slade's "30 Days of Night" is the most exhilarating horror film since Danny Boyle's original "28 Days Later" and the best vampire film since Francis Ford Coppola delivered "Bram Stoker's Dracula" back in 1992.


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