A young boy named Max has an active imagination, and he will throw fits if others don't go along with what he wants. Max - following an incident with Claire (his sister) and her friends, and following a tantrum which he throws as a result of his Mother paying more attention to her boyfriend than to him - runs away from home. Wearing his wolf costume at the time, Max not only runs away physically, but runs toward a world in his imagination. This world, an ocean away, is inhabited by large wild beasts, including one named Carol who is much like Max himself in temperament. Instead of eating Max like they normally would with creatures of his type, the wild things befriend Max after he proclaims himself a king who can magically solve all their problems. Written by
Though their names are not mentioned in the book, Maurice Sendak named the Wild Things after his aunts and uncles: Bernard, Tzippeh, Aaron, Moishe, et cetera. In the film, they have totally different names. See more »
When Max says, "Wow!" when he sees Carol's world built from sticks, an earpiece is visible in Max Records' ear. See more »
Hey, Claire. Wanna see something great?
[on the phone]
Who else was there?
It's an igloo! I made it.
Yeah, my brother.
I can't. We're supposed to go to my dad's that weekend.
The snowplows left some snow across the street, and I dug a hole into it.
Go and play with your friends.
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The logos for Warner Bros., Legendary Pictures, and Village Roadshow Pictures are covered with Max's scribblings. See more »
A beautiful, audacious, roughly-hewn motion picture (adjectives that
are no doubt overused in describing the picture's modus operandi),
Spike Jonze's adaptation Maurice Sendak's adored children's book "Where
the Wild Things Are" taps into the innocent, volatile world of a 9 year
old boy the way few mainstream feature films have. It is original,
unique, melancholy, and because of this several mainstream critics (and
even lucid critics like Salon's Stephanie Zacharek) have derided the
film. "There's no story"; "kids won't like it"; "it's an adult film
about children, not a children's film"; "it's boring"; "the pacing is
What? Why did it become such a crime to make an abstract art film
within the spineless confines of the Hollywood system? Doesn't Spike
Jonze get credit for personalizing, therefore, retaining a substantial
amount of voracity while delving into one of the most revered
children's books of the last fifty years? What the hell is wrong with
that? I understand that some people just don't respond to the abstract,
pseudo-verisimilitude of pretentious art films, but there's a
stripped-down purity to this picture that cannot be denied. It's not
pretentious, but emotional and honest.
It's bold, it takes chances...why is it being chastised in the media?
How often do we get movies like "Where the Wild Things Are"? It should
be celebrated, not snidely dismissed (Ex. Lou Lumenick, NY Post).
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