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Jam Films (2002)
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Übersicht
Premierendatum:
2002 (Japan) mehrPlot:
"The Messenger" is a mysterious woman who appears to a mobster hiding underground to tell him about his ultimate fate... mehr | add synopsisPlot Keywords:
Nutzerkommentare:
A refreshing medley mehrBesetzung
(Auswahl der im Abspann genannten Besetzung) | Natsuko Akiyama | ... | (segment "Hijiki") |
| Hirofumi Arai | ... | (segment 'Justice') |
| Haruka Ayase | ... | (segment "Justice") |
| Ryoko Hirosue | ... | (segment "Arita") |
| Satomi Ishihara | ||
| Kazuki Kitamura | ... | (segment "The Messenger - Requiem for the Dead") |
| Hitomi Kurihara | ... | (segment 'Justice') |
| Akaji Maro | ... | (segment "Pandora - Hong Kong Leg") |
| Akifumi Miura | ... | (segment 'Justice') |
| Takao Osawa | ... | (segment "Cold Sleep") |
| Samuel Pop | ... | (segment 'Cold Sleep') |
| Tak Sakaguchi | ... | (segment 'The Messenger - Requiem for the Dead') |
| Kuranosuke Sasaki | ... | (segment "Hijiki") |
| Ryoko Shinohara | ... | (segment "Kendama") |
 | Albert Smith | ... | (segment 'Cold Sleep') |
 | Christian Storms | ... | (segment 'Justice') |
| Megumi Takahashi | ... | (segment 'Hijiki') |
| Satoshi Tsumabuki | ... | (segment "Justice" |
| Tomomi Tsunoda | ... | (segment "Cold Sleep") |
| Yasutaka Tsutsui | ... | (segment 'Cold Sleep') |
| Kanae Uotani | ... | The messenger (segment 'The Messenger - Requiem for the Dead') |
| Megumi Uziie | ... | (segment 'Hijiki' & 'Kendama') |
| Masayoshi Yamazaki | ... | (segment "Kendama") |
| Takami Yoshimoto | ... | (segment "Pandora - Hong Kong Leg") |
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From the perspective of a foreign viewer, these Japanese short films are quite refreshing in the topic and also in the presentation.
I like "Justice" the most. I really re-entered the classroom, and put myself into the exciting game of violating our scholarly duties in classes yet trying not to be caught. There is an awesome sense of humor and a feeling of playfulness that's authentic and unfabricated. For those unfamiliar with the buruma (http://en.wikipedia.org/wiki/Bulma) -- the habit delineated is very real. This is where 9 out of 10 can be given.
Arita and Pandora come next. The former is concerned with the feeling of lost and confusion in growing up, and the latter is depicting a strangely erotic yearning. These are familiar topics, but the presentations are simple and affecting.
The others four are more "commonplace" but still quite nice to see. An average of 7 out of 10 can be given.