Eight unsuspecting high school seniors at a posh boarding school, who delight themselves on playing games of lies, come face-to-face with terror and learn that nobody believes a liar - even when they're telling the truth.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he's innocent.
The night before a local haunted house opens for Halloween, six friends sneak in for a few hours of fun. Soon after entering, they find themselves trapped inside with no way out. Their ... See full summary »
K. Danor Gerald,
A photographer, Leon's obsessive pursuit of dark subject matter leads him into the path of a serial killer, Mahogany, the subway murderer who stalks late night commuters, ultimately butchering them in the most gruesome ways imaginable.
Nobody believes a liar - even when they're telling the truth. When a young woman is found murdered, a group of local high school students decide to further scare their classmates by spreading online rumors that a serial killer called "The Wolf" is on the loose. By describing "The Wolf's" next victims, the students' game is to see how many people they can convince - and if anyone will uncover the lie. But when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins. As someone or something begins hunting the students themselves, the game turns terrifyingly real. Written by
America Online helped to publicize the film by launching an alternate reality game for AIM users by sending instant messages to each other, which ran for the duration of the film's promotion. The game itself is similar to "Mafia", replacing townspeople and mafia with sheep and wolves. See more »
During the scene where the mop boy is looking out the window, the killer is visible before he jumps out and reveals himself. See more »
A surprisingly intelligent suspense/horror film. Notice the dual title I gave to it? Yeah, that's because it takes elements from both to make a much better movie. I'm really surprised they canceled the critics' screenings for this because I honestly think it would get good reviews from quite a few critics. Maybe I'm wrong.
Either way, it starts off in post-Scream slasher mode before kicking things into gear. It quickly takes on the trappings of the urban legend/parable/whatever that the title is derived from, with a group of spoiled rich kids deciding to trick their private school into thinking there's a killer on campus. Trouble is...there actually might be.
The two leads, Julian Morris and Lindy Booth are both actually very good. Booth, who did almost nothing in the Dawn of the Dead remake, shines brightest, mixing girl-next-door charm with a lying, manipulative alter-ego. And it makes sense because her character uses the former so she can accomplish the latter.
Another surprising stand-out is...Jon Bon Jovi? Yeah, the guy can actually act. He skirts the line a few times but he's definitely believable as an English teacher. His story arc is also kind of funny when you consider his career, and what that likely entailed during the '80s. So once again, not a stretch.
The only flaw I could see with the movie is that it seems a little calculating. At points, it seems like it's intentionally trying to avoid teen horror clichés. For example, a victim is being chased and instead of running out a door, he tries to trick the killer into thinking he has. Smart. Probably too smart for a high school student, but at least it's a change from the same run, scream, hide, run again, knife to the throat routine.
Speaking of that tired old routine and the rating it usually causes, this is probably the first time in years where I actually felt a PG-13 rating was warranted. Making this an R horror movie would've killed any semblance of logic. Here the violence isn't necessarily what's supposed to frighten you. Human nature is. Their lies are what bring about the conclusion, which is infinitely darker than anything Jason Vorhees has ever done.
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