A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Al, Louise, Max and Sy - four literary types who work in the theater business - are discussing what they believe to be the real life truths underlying their work, Max who writes primarily tragic plays, and Sy who writes primarily comic plays. Al proceeds to tell them a real story of a troubled woman named Melinda Robicheaux showing up unexpectedly at a door in the middle of an important business dinner party. Melinda long ago left her physician husband to embark on a relationship with who she initially believed to be the man of her dreams, which ended up not being the case. Melinda tries to put her life back together with the help of select people at the dinner party, some who have their own ulterior motives. Melinda's appearance also opens up the cracks existing in the marriage of one of the couples at the dinner party, while it leads to the dissolution of a friendship that has existed since college. With this basic outline of a story, Max and Sy try to make their point of life being... Written by
I went to see this film a bit skeptical, because Woody's last movies were not his best ones. In the last ten years, he has made funny, entertaining films; some quite interesting, as "Decontructing Harry" or "Sweet and Lowdown", but generally unimportant. But wit "Melinda and Melinda" he has made one of his most brilliant films. As in "Crimes and Misdemeanors", he mixes two different stories -a dramatic one, and a light comedy-. The result ins quite different; this movie is not as critic as that, but is really enjoyable. He mixes a drama -serious, deep, with well-built characters, and really credible- and a delicious comedy -with really funny quotes, and moments that recover his best of the 80's-, with a lot of talent, because the two stories complete each other, the movie doesn't creak.
Radha Mitchell is wonderful as the two Melindas: suggestive and content in the drama; innocent, tender and funny int he comedy. And Will Farrell, who takes the 'Woody Allen role', is the best choice he has done for that purpose ever- because instead of imitating Allen, he creates a new character, human, pleasant and funny. The script is great; with parallelism and second interpretations- And the movie is really entertaining. I hope it will get the attention it deserves; and I expect Woody Allen to keep this new walk in his career. (9/10).
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